Theory of the Image: Capitalism, Contemporary Film, and Women"Just about everything in this book is fresh and exciting." --Carol Siegel Ann Kibbey's Theory of the Image is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct. "The Capitalist Theory of the Image" argues that capitalism enforces social identity and fetishism through religious iconoclastic beliefs about the commodity as image. "Liberating a Woman from Her Image" creates a new feminist approach to women in film, breaking the symbiosis of woman and image at the heart of previous theory. "Relief from the Production of Certainties" challenges conservative and racist agendas informing the assumption that a photograph records an image. The book draws on extensive personal interviews and also provides detailed explications of important films in recent transnational cinema to demonstrate new theories of the image for a global society. |
From inside the book
Results 1-5 of 28
... Critique of Baudrillard 20 Critique of Barthes 24 17 Debord and the Social Production of the Image 32 Screening Out : Lacan's Mirror Stage and the Cinematic Apparatus 34 Mulvey's Symbiosis of Woman and Image 38 Essay Two Liberating a ...
... critiques continue to focus on the content of images without considering the importance of the image itself as an ... critique of the ideology of icono- clasm to locate the sources of the modern capitalist theory of the image , a path ...
... critique it . Because society has strongly linked women with image - ness and vice versa , a critique of images of women in film can be a point of leverage for a larger critique of a whole system of images in contemporary society ...
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Contents
The Capitalist Theory of the Image | 5 |
The Iconoclastic Theory of the Image and the Corporation | 6 |
Congruence with the Capitalist Economy | 17 |
Critique of Baudrillard | 20 |
Critique of Barthes | 24 |
Debord and the Social Production of the Image | 32 |
Lagans Mirror Stage and the Cinematic Apparatus | 34 |
Mulveys Symbiosis of Woman and Image | 38 |
The Stabbing | 98 |
Exit the Black Screen Suitcase | 115 |
Relief from the Production of Certainties | 133 |
The Icon as a Set of Relations | 134 |
The Natural Image Racism and Photography | 145 |
Why Eisenstein Has Been a Threat | 160 |
An Iconic Film | 164 |
Women Time Photos | 180 |
Liberating a Woman from Her Image | 45 |
Persian Narrative Structure and Activating the Audience | 50 |
The Story of the Veil | 55 |
The Story of the Sheep | 65 |
How Images Move the Story Around | 74 |
Character and the Mutable Image of the Veil | 85 |
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References to this book
War, Image and Legitimacy: Viewing Contemporary Conflict Milena Michalski,James Gow No preview available - 2007 |