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Sops! Mr. Cerberus, sops!

How we should smile at all this if we did not remember that the world in general so much resembles him. Every circle has its door-keeper, either under the name of fashion, pride, or prejudice, who knows full well whom to exclude and whom to admit. The man of talent, without a name, may kick his heels upon the steps; the man with a name, minus the talent, is ushered in with smiles and bows, after being prayed to knock, that the honoured door may open to him. But the sops, you will say, perhaps innocently, that is the main spring! We taste as children, and long for it ever afterwards, only differently flavoured. believe it not, try at the great man's door; the burly porter cries “Sop!" the footman, the valet, all, all alike. Many a poor suitor has turned his daily bread into it, and yet found it far short of enough to satisfy the rapacious maws of the various single-headed Cerberi!

Reader, the world is made up of door-keepers.

If you

LOST HIS PARTICULAR CUE.

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A benighted traveller, who had taken refuge in a country public house, demanded, after supper, whether he could be accommodated with a bed. The landlord answered in the negative, as his house was full. “Why, my friend," said the traveller, "you are like Sir Robert Peel.” “How so?” asked Boniface in astonishment. * Because," answered the other, “he was the author of the New Tariff, and your beds are all occupied.” “Well," rejoined mine host, "you may sleep in an arm chair by the fire if you like."

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BRITISH WAR WITH CHINA.

Of Congou, Souchong, and Bohea,

Let Chinamen boast as they please ;
The British have gunpowder tea,
Which
proves

the most terrible teaze !"

“Does he love his papa ?” “No, na!" “Kiss him, then, poor papa ?” “No! no! na!" "Who does he love, a dear ?" “Touzin Charles !—you's so ugly!"

RIDDLE.

My first with bricks and mortar 's made,
And oft with plaster too o'erlaid ;
Thereon is many a fruit tree trained,
Thereto are captives sometimes chained ;
Oft bills and placards it exhibits,
And chalk-drawn horses, men, and gibbets,
Adjoining houses it divides,
But

peace maintains 'tween rival sides ;
And, lastly, to a flower of fame
It gives a shelter and a name :
My second may be said to be
A mongrel dog of low degree.
My whole-express

it
ye

who can
Is equal to “ Pedestrian."

"Oh, Mr. Jenkins! fie, Mr. Jenkins! I'll tell my mother, that I will, sir."

A GREAT "CARD."

By the AUTHOR OF THE “ Comic LATIN GRAMMAR."

Monsieur le Chevalier De La Ruse, Officer of the Legion of Honour, Surgeon-Dentist to Prince Pückler-Muskau, his Majesty the King of Abissynnia, Mehemet Ali, and most of the illustrious personages at Madame Tussaud's, has just arrived in London, and is to be consulted in Great RusselStreet, Bloomsbury, every day between the hours of ten and four.

For the practice of dental surgery the Chevalier is eminently qualified, his professional having been of a first-rate character.

He became at a very early age connected with a company of mountebanks, among whom he acquired the art of balancing ladders on his chin, standing on his head, and dancing on the tight-rope. He then turned his attention to legerdemain, of which art he was soon an itinerant professor. So great was his dexterity therein, that he was never known to fail in his performances but once, when he was detected in the act of extracting a handkerchief from a gentleman's pocket. This circumstance occasioned his temporary retirement from public life: it threw him, however, into the society of kindred spirits, to the considerable enlargement of his stock of ideas, and his no small improvement in mechanical skill.

On his egress from the correctional establishment to which he had been consigned, he became an assistant to a billiard-room, where he had frequent opportunities, of which he amply availed himself, of exercising, greatly to his emolument, his manual adroitness.

The concern with which he had connected himself having been suppressed by the police, he for a short time devoted his leisure, which was now considerable, to public performances on the hand-organ, and subsequently to the management and exhibition of a puppet-show.

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It would be unfair, even were it possible, to unveil all the mysteries of the Chevalier's practice. The following modes, however, which he has invented, of extracting teeth, may be mentioned, as he has

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already displayed them publicly, and as they will, no doubt, serve to exemplify his extraordinary genius. Their principal recommendation is, that while always effectual, they are as slightly as possible painful to the patient, and calculated, at the same time, highly to divert the looker on.

If the tooth to be extracted is situated in the upper jaw, M. De La Ruse seats the patient on a chair, himself standing opposite to him. He next secures the tooth with a long pair of tongs, which he fixes in their position by a screw like that of a hand-vice. Then placing his heel under the patient's chin, and holding the handle of the instrument in both hands, he suddenly, by a simultaneous extension

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of the leg and flexion of the arms, effects the desired result ; himself, from a trifling excess in the power applied to the fulcrum, rolling with the tongs and tooth one way, and the patient another; both, most likely, head over heels ; a sight very laughable to behold.

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Or, should the tooth to be extracted be a grinder of extraordinary size and strength, he attaches thereto as stout an iron chain as he conveniently can, the other end of which is fastened to a large bullet. The patient reclines, head downwards, on a couch constructed for the purpose, at an angle of forty-five.

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The bullet is then rammed into a blunderbuss, which the Chevalier fires, taking aim at a target elevated in a convenient situation, or which any gentleman or lady present, who pleases, is at liberty to hold up; M. De La Ruse engaging to lodge the bullet, with the chain and tooth depending therefrom, infallibly, in every instance, in the very centre of the bull's-eye,

The locality of the intended operation being the lower jaw, the Chevalier causes the person to sit in a chair by the side of a column ten feet high, which he assures the public is filled with teeth which he has had the honour of taking out of crowned heads. He then affixes to the tooth, secundum artem, a strong cord let down from a winch, or windlass, situated at the top of the column. These preliminaries having been adjusted, he ascends the column, and with one wrench of the engine, dislocates either the tooth or jaw.

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Sometimes he substitutes for the windlass a block, or pulley, fastening a hundred weight to each of the patient's feet; having, in one instance, before he had learned to take this precaution, pulled a gentleman up in the air, where he hung kicking for some minutes before his tooth came out, much more to the amusement of the spectators than to his own.

For persons of quality and distinction, he has erected in his surgery a handsome gibbet of gilt marble, in the style of Louis Quatorze, the supporters being fluted Corinthian columns, and the cross-beam being represented by a magnificent entablature. The platform is covered with a rich Turkey carpet. A

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