The Penguin Book of Lesbian Short StoriesMargaret Reynolds And more than that - sometimes women love women. Like Queen Victoria, the world has preferred to believe that sex between women is impossible, resulting in a long silence between the writings of Sappho and the flowering of talent produced by feminism and the sexual revolution. Lesbian writing has come a long way since Virginia Woolf's famous essay of 1928. Since then women have challenged traditional forms of expression and subject matter in an extraordinarily rich and varied discourse to give voice to the lesbian imagination. In this wide-ranging anthology, Margaret Reynolds has brought together the work of thirty-two women from Britain, continental Europe, and the Americas - including three specially commissioned pieces - that covers nearly a century of lesbian writing, from Sarah Orne Jewett (1897) to Jeanette Winterson (1993). The collection ranges from Frances Gapper's pastiche of a Romantic melodrama, through the wry humor of Merril Mushroom's description of butch and femme courting rituals, to the wit of Alison Bechdel's cartoon strip. The anxiety of unresolved desire is present in many stories - Radclyffe Hall's Miss Ogilvy is unable truly to find herself in this world, Djuna and Lillian hold back from each other in Anais Nin's "Cities of the Interior, " and the energy and commitment that should go into a loving relationship are stifled by convention in Jane Rule's story of passion outside marriage. But here are brave spirits, too - Renee Vivien's Sarolta and her Prince(ss) live forever in a vision of ideal tenderness, Colette's heroines preserve the sanctity of their little white bed, and Jewelle Gomez's bulldagger society survives far from the haunts of men. There arecoming-out stories, stories about cross-dressing, vampire tales, science fiction, parody, and romance. Each story is quite different from the others, yet each acknowledges a particular facet of lesbian history and makes it real. |
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Page 266
... natural . ' Well , I would just have said yeah and let it go at that , but Liz launched into an elaborate though completely accurate description of the reproductive cycle of the coriantis , the bucket orchid ; and then another about the ...
... natural . ' Well , I would just have said yeah and let it go at that , but Liz launched into an elaborate though completely accurate description of the reproductive cycle of the coriantis , the bucket orchid ; and then another about the ...
Page 347
... Natural Understanding - taking our example from such as my dear Horse . Our true needs are indeed very few and easily satisfied - principally for shelter and sustenance . Passionate love is a disorder of the natural emotions , resulting ...
... Natural Understanding - taking our example from such as my dear Horse . Our true needs are indeed very few and easily satisfied - principally for shelter and sustenance . Passionate love is a disorder of the natural emotions , resulting ...
Page 385
... natural beauty brilliantly patterned carapaces , diaphanous wings , luminescent eyes , and the like - they attempt to imitate our kind by placing upon their bodies various multicoloured draperies , which conceal their generative parts ...
... natural beauty brilliantly patterned carapaces , diaphanous wings , luminescent eyes , and the like - they attempt to imitate our kind by placing upon their bodies various multicoloured draperies , which conceal their generative parts ...
Contents
SARAH ORNE JEWETT Marthas Lady 1897 | 1 |
RENÉE VIVIEN Prince Charming 1904 translated | 20 |
The Wise Sappho c 191618 | 26 |
Copyright | |
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Adrienne Rich Alison Bechdel arms asked beautiful Beebo blood body breasts butch butch and femme Charlotte Mews dance dark daughter Delia Djuna Djuna Barnes door Dorothy Allison dress Emma Donoghue eyes face feel felt fingers friends Georgine Skeene girl hair hand head heard heart Helen Furr Helena husband Iduna JEANETTE WINTERSON KATHY ACKER Kerry kissed knew lady laughed Laura leaned legs lesbian Letty light Lillian lips living Lizzy looked lover Marcie Margaret Martha Miss Ogilvy Miss Pyne Mistress Mary MONIQUE WITTIG mother mouth never NICOLE BROSSARD night Ogilvy's Picasso pulled Renée Vivien Sappho seemed sleep smiled soft someone stay stood story sweet talk tell things thought told took turned voice wait walked watch wheat roll window woman women words writing young