The Penguin Book of Lesbian Short StoriesMargaret Reynolds And more than that - sometimes women love women. Like Queen Victoria, the world has preferred to believe that sex between women is impossible, resulting in a long silence between the writings of Sappho and the flowering of talent produced by feminism and the sexual revolution. Lesbian writing has come a long way since Virginia Woolf's famous essay of 1928. Since then women have challenged traditional forms of expression and subject matter in an extraordinarily rich and varied discourse to give voice to the lesbian imagination. In this wide-ranging anthology, Margaret Reynolds has brought together the work of thirty-two women from Britain, continental Europe, and the Americas - including three specially commissioned pieces - that covers nearly a century of lesbian writing, from Sarah Orne Jewett (1897) to Jeanette Winterson (1993). The collection ranges from Frances Gapper's pastiche of a Romantic melodrama, through the wry humor of Merril Mushroom's description of butch and femme courting rituals, to the wit of Alison Bechdel's cartoon strip. The anxiety of unresolved desire is present in many stories - Radclyffe Hall's Miss Ogilvy is unable truly to find herself in this world, Djuna and Lillian hold back from each other in Anais Nin's "Cities of the Interior, " and the energy and commitment that should go into a loving relationship are stifled by convention in Jane Rule's story of passion outside marriage. But here are brave spirits, too - Renee Vivien's Sarolta and her Prince(ss) live forever in a vision of ideal tenderness, Colette's heroines preserve the sanctity of their little white bed, and Jewelle Gomez's bulldagger society survives far from the haunts of men. There arecoming-out stories, stories about cross-dressing, vampire tales, science fiction, parody, and romance. Each story is quite different from the others, yet each acknowledges a particular facet of lesbian history and makes it real. |
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Page 77
... whole flights of words would need to wing their way illegitimately into existence before a woman could say what happens when she goes into a room . The rooms differ so completely ; they are calm or thunderous ; open on to the sea , or ...
... whole flights of words would need to wing their way illegitimately into existence before a woman could say what happens when she goes into a room . The rooms differ so completely ; they are calm or thunderous ; open on to the sea , or ...
Page 113
... whole frame had been turned to water . My knees were giving way . I had to cling to a table and support myself till I recovered strength enough to get to a chair - she was coming tonight in a few hours - A paean sang in my heart . Had I ...
... whole frame had been turned to water . My knees were giving way . I had to cling to a table and support myself till I recovered strength enough to get to a chair - she was coming tonight in a few hours - A paean sang in my heart . Had I ...
Page 195
... whole factory she sells . The joint . Real estate . She really can't be apprehended . She knows how to make herself useful in the symbolic domain , neighbouring , bordering . Which touches her . In appropriating for himself the entire ...
... whole factory she sells . The joint . Real estate . She really can't be apprehended . She knows how to make herself useful in the symbolic domain , neighbouring , bordering . Which touches her . In appropriating for himself the entire ...
Contents
SARAH ORNE JEWETT Marthas Lady 1897 | 1 |
RENÉE VIVIEN Prince Charming 1904 translated | 20 |
The Wise Sappho c 191618 | 26 |
Copyright | |
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Adrienne Rich Alison Bechdel arms asked beautiful Beebo blood body breasts butch butch and femme Charlotte Mews dance dark daughter Delia Djuna Djuna Barnes door Dorothy Allison dress Emma Donoghue eyes face feel felt fingers friends Georgine Skeene girl hair hand head heard heart Helen Furr Helena husband Iduna JEANETTE WINTERSON KATHY ACKER Kerry kissed knew lady laughed Laura leaned legs lesbian Letty light Lillian lips living Lizzy looked lover Marcie Margaret Martha Miss Ogilvy Miss Pyne Mistress Mary MONIQUE WITTIG mother mouth never NICOLE BROSSARD night Ogilvy's Picasso pulled Renée Vivien Sappho seemed sleep smiled soft someone stay stood story sweet talk tell things thought told took turned voice wait walked watch wheat roll window woman women words writing young