Censorship and Sexuality in Bombay Cinema

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University of Texas Press, Aug 24, 2012 - Performing Arts - 318 pages

India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring.

Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact.

 

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Contents

1 Beginning
1
2 Revisiting the History of Film Censorship
26
The Central Board of Film Certification
60
A Classification Conundrum
79
Improper Suturing of Sound Scar and Stardom
105
To Ban or to Certify the SelfSacrificial Wife in Pati parmeshwar
131
7 Tracking the Twists and Turns in the Khalnayak Debates on Censorship
159
Certifying a Family Love Story
185
9 From Censorship to Selections
213
Appendix A
227
Appendix B
231
Appendix C
234
Notes
237
Selected Bibliography
277
Index
293
Copyright

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About the author (2012)

Monika Mehta is Associate Professor of English at Binghamton University, SUNY. Her research and teaching interests include postcolonial literature and film; globalization, diaspora, and cultural production; gender and sexuality; cinema in South Asia; and the state and the entertainment industry.

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