The English Novel: A Short Critical History |
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Page 40
... things to himself . All things and modes of action shape themselves anew in the being of Milton ; while Shakespeare becomes all things , yet for ever remaining himself . ' In this contrast Coleridge is isolating two permanent and ...
... things to himself . All things and modes of action shape themselves anew in the being of Milton ; while Shakespeare becomes all things , yet for ever remaining himself . ' In this contrast Coleridge is isolating two permanent and ...
Page 116
... things ? " But it brought in things that were not so fine , things Scott knew nothing about and cared less . It made him set at the centre of his fictions the romantic hero and the romantic heroine . It is the fate of the romantic hero ...
... things ? " But it brought in things that were not so fine , things Scott knew nothing about and cared less . It made him set at the centre of his fictions the romantic hero and the romantic heroine . It is the fate of the romantic hero ...
Page 321
... things . This perception into the nature of things Forster calls , in The Longest Journey ( 1907 ) , ' the knowledge of good - and - evil ' , and he describes it there as ' the primal curse . When allowance is made for its comparative ...
... things . This perception into the nature of things Forster calls , in The Longest Journey ( 1907 ) , ' the knowledge of good - and - evil ' , and he describes it there as ' the primal curse . When allowance is made for its comparative ...
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 50 |
Copyright | |
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achievement action Adam Bede appear artist attitude beauty become behaviour Bennett Brontë century characters Charlotte Brontë comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humour imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London marry Meredith mind Miss Austen moral nature never novelist passion perhaps plot poetry Princess Casamassima prose reality rendering Richardson romantic satire scarcely scene Scott seems sense sensibility Smollett social society Sons and Lovers story successful symbol Thackeray Thackeray's things Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Wuthering Heights young