Theory of the Image: Capitalism, Contemporary Film, and Women"Just about everything in this book is fresh and exciting." --Carol Siegel Ann Kibbey's Theory of the Image is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct. "The Capitalist Theory of the Image" argues that capitalism enforces social identity and fetishism through religious iconoclastic beliefs about the commodity as image. "Liberating a Woman from Her Image" creates a new feminist approach to women in film, breaking the symbiosis of woman and image at the heart of previous theory. "Relief from the Production of Certainties" challenges conservative and racist agendas informing the assumption that a photograph records an image. The book draws on extensive personal interviews and also provides detailed explications of important films in recent transnational cinema to demonstrate new theories of the image for a global society. |
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... Macedonia , which also provided funding for the film . It is not surprising , then , that Before the Rain is a transnational film that is grounded in iconic meaning rather than indexical meaning.39 The indexical image is evoked in the ...
... Macedonia . It is in its imaginative , iconic register that the film is distinctive , both politically and artistically . # 45 For Manchevski , the iconic , artistic dimension of storytelling is not merely a question of aesthetics . He ...
... Macedonia and begins very simply . A young priest , Kiril ( Gregoire Colin ) , is picking tomatoes in a hilltop garden . As storm clouds gather , an elderly priest approaches and tells Kiril , “ It's going to rain . The flies are biting ...
Contents
The Capitalist Theory of the Image | 5 |
Congruence with the Capitalist Economy | 17 |
Critique of Barthes | 24 |
Copyright | |
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References to this book
War, Image and Legitimacy: Viewing Contemporary Conflict Milena Michalski,James Gow No preview available - 2007 |