Theory of the Image: Capitalism, Contemporary Film, and Women"Just about everything in this book is fresh and exciting." --Carol Siegel Ann Kibbey's Theory of the Image is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct. "The Capitalist Theory of the Image" argues that capitalism enforces social identity and fetishism through religious iconoclastic beliefs about the commodity as image. "Liberating a Woman from Her Image" creates a new feminist approach to women in film, breaking the symbiosis of woman and image at the heart of previous theory. "Relief from the Production of Certainties" challenges conservative and racist agendas informing the assumption that a photograph records an image. The book draws on extensive personal interviews and also provides detailed explications of important films in recent transnational cinema to demonstrate new theories of the image for a global society. |
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... audience , so when the audience watches a film , they watch a story , but it mainly turns out that all the characters are pretty much set in their ways and minds . " 10 Persian narrative tradition conceptualizes character in a different ...
... audience hears only the whispered voice - over of the letter's contents and the pen scratches . The letter is about Haji - the audience finds out he was an arms merchant- and about Mariyam's life in New York , how she has decided to ...
... audience has become in viewing Mariyam without her veil since the letter - writing sequence . In this section of the film , the audience sees the veil as a ridiculous and incapacitating encumbrance that Mariyam herself doesn't want or ...
Contents
The Capitalist Theory of the Image | 5 |
Congruence with the Capitalist Economy | 17 |
Critique of Barthes | 24 |
Copyright | |
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War, Image and Legitimacy: Viewing Contemporary Conflict Milena Michalski,James Gow No preview available - 2007 |