Theory of the Image: Capitalism, Contemporary Film, and Women"Just about everything in this book is fresh and exciting." --Carol Siegel Ann Kibbey's Theory of the Image is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct. "The Capitalist Theory of the Image" argues that capitalism enforces social identity and fetishism through religious iconoclastic beliefs about the commodity as image. "Liberating a Woman from Her Image" creates a new feminist approach to women in film, breaking the symbiosis of woman and image at the heart of previous theory. "Relief from the Production of Certainties" challenges conservative and racist agendas informing the assumption that a photograph records an image. The book draws on extensive personal interviews and also provides detailed explications of important films in recent transnational cinema to demonstrate new theories of the image for a global society. |
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... iconoclastic assumptions , codifying a secular and cinematic version of iconoclasm that has become the most widely accepted version of this paradigm . THE ICONOCLASTIC THEORY OF THE IMAGE AND THE CORPORATION Although Calvin was an ...
... iconoclastic premises , Goux points out ( 114-15 ) . When translated into the practice of film theory and criticism , the Freudian approach drew out the more iconoclastic reading of Freud . Jameson provides an example in Signatures of ...
... iconoclasm that supported this reification was not gendered . The iconoclastic paradigm of capitalism can accommo- date other sexualities , since the iconoclastic paradigm of capitalist con- sumerism is not inherently sexual . The bread ...
Contents
The Capitalist Theory of the Image | 5 |
Congruence with the Capitalist Economy | 17 |
Critique of Barthes | 24 |
Copyright | |
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References to this book
War, Image and Legitimacy: Viewing Contemporary Conflict Milena Michalski,James Gow No preview available - 2007 |