Theory of the Image: Capitalism, Contemporary Film, and Women"Just about everything in this book is fresh and exciting." --Carol Siegel Ann Kibbey's Theory of the Image is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct. "The Capitalist Theory of the Image" argues that capitalism enforces social identity and fetishism through religious iconoclastic beliefs about the commodity as image. "Liberating a Woman from Her Image" creates a new feminist approach to women in film, breaking the symbiosis of woman and image at the heart of previous theory. "Relief from the Production of Certainties" challenges conservative and racist agendas informing the assumption that a photograph records an image. The book draws on extensive personal interviews and also provides detailed explications of important films in recent transnational cinema to demonstrate new theories of the image for a global society. |
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... juxtapositions . They differ from the first two kinds of images because they are " unrepresented " in the material film . Ebrahimian creates a tension between representation and the thematic meanings of the narrative by attributing ...
... juxtapositions free the image from any single concept of a unified space in which the action occurs , inviting more playful combinations of images than is possible in a realist film . Even the elements of the film that do seem realist ...
... juxtaposition of images conceptualized the icon as fundamentally relational . Like Peirce's algebraic equations ... juxtapositions , the montage . Eisenstein's basic concept of juxtaposition has also been mis- takenly described as ...
Contents
The Capitalist Theory of the Image | 5 |
Congruence with the Capitalist Economy | 17 |
Critique of Barthes | 24 |
Copyright | |
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References to this book
War, Image and Legitimacy: Viewing Contemporary Conflict Milena Michalski,James Gow No preview available - 2007 |