Theory of the Image: Capitalism, Contemporary Film, and Women"Just about everything in this book is fresh and exciting." --Carol Siegel Ann Kibbey's Theory of the Image is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct. "The Capitalist Theory of the Image" argues that capitalism enforces social identity and fetishism through religious iconoclastic beliefs about the commodity as image. "Liberating a Woman from Her Image" creates a new feminist approach to women in film, breaking the symbiosis of woman and image at the heart of previous theory. "Relief from the Production of Certainties" challenges conservative and racist agendas informing the assumption that a photograph records an image. The book draws on extensive personal interviews and also provides detailed explications of important films in recent transnational cinema to demonstrate new theories of the image for a global society. |
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... relation to the world was open to question because it was not constrained to imitate or represent the already existing world . The icon can be a means of changing that world , of imagining different relations than those that exist ...
... relation to the material world . It is expressive of particular relations in the material world , and it allows the interpreter to imagine alternative relations among its parts . An interpreter might change the amount spent on housing ...
... relation of material fact . The icon's capacity to express relations , and to have a problematic relation to its object that allowed for creative thinking - the sources of its intellectual power and value - were recast as weaknesses in ...
Contents
The Capitalist Theory of the Image | 5 |
Congruence with the Capitalist Economy | 17 |
Critique of Barthes | 24 |
Copyright | |
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War, Image and Legitimacy: Viewing Contemporary Conflict Milena Michalski,James Gow No preview available - 2007 |