Theory of the Image: Capitalism, Contemporary Film, and Women"Just about everything in this book is fresh and exciting." --Carol Siegel Ann Kibbey's Theory of the Image is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct. "The Capitalist Theory of the Image" argues that capitalism enforces social identity and fetishism through religious iconoclastic beliefs about the commodity as image. "Liberating a Woman from Her Image" creates a new feminist approach to women in film, breaking the symbiosis of woman and image at the heart of previous theory. "Relief from the Production of Certainties" challenges conservative and racist agendas informing the assumption that a photograph records an image. The book draws on extensive personal interviews and also provides detailed explications of important films in recent transnational cinema to demonstrate new theories of the image for a global society. |
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... thing renamed by it . This enhanced the importance of the concept of figura , for it was the material shapes of people and things in the sacrament that became the focus of visual attention for Calvin . Remember that the oldest meaning ...
... thing were juxtaposed . In this sense , the material object was crucial to the paradigm , a mere thing but nonetheless an indispensa- ble thing . Sacramental metonymy functioned in a qualitatively different way from ordinary ...
... thing , a statue or a painting that drew its claim to resemblance from the person or thing it represented . Peirce's concept of the icon freed it from the burden of mimesis , the icon as a derivative copy or representation of the ...
Contents
The Capitalist Theory of the Image | 5 |
Congruence with the Capitalist Economy | 17 |
Critique of Barthes | 24 |
Copyright | |
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War, Image and Legitimacy: Viewing Contemporary Conflict Milena Michalski,James Gow No preview available - 2007 |