Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 42Gale Research Company, 1984 |
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Page 203
... Othello famously begins not with Othello but with Iago . Other tragedies begin with ancillary figures comment- ing on the character who will turn out to be at the center of the tragedy - one thinks of Lear , Macbeth , Antony and ...
... Othello famously begins not with Othello but with Iago . Other tragedies begin with ancillary figures comment- ing on the character who will turn out to be at the center of the tragedy - one thinks of Lear , Macbeth , Antony and ...
Page 211
... Othello , and then allowing the Venetians ( and most members of the audience ) to con- gratulate themselves - as he does - on their distance from the now - racialized Othello . Through this pro- cess , Othello becomes assimilated to ...
... Othello , and then allowing the Venetians ( and most members of the audience ) to con- gratulate themselves - as he does - on their distance from the now - racialized Othello . Through this pro- cess , Othello becomes assimilated to ...
Page 278
... Othello's marriage , Iago warns Othello that ' the magnifico is much beloved , / And hath in his effect a voice potential / As double as the Duke's ' . Brabanzio's words will exert power - the power to ' divorce you , / Or put upon you ...
... Othello's marriage , Iago warns Othello that ' the magnifico is much beloved , / And hath in his effect a voice potential / As double as the Duke's ' . Brabanzio's words will exert power - the power to ' divorce you , / Or put upon you ...
Contents
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Copyright | |
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action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York