Abstraction and Empathy: A Contribution to the Psychology of Style

absolute artistic volition abstract tendency acanthus activity aesthetic aesthetic experience animal Antique Antique artistic appearance approximate architecture art history artistic creation beauty Byzantine art characterisation Classical art clearly closed material individuality cognition concept crystalline cubic culture decorative Dipylon style drapery Early Christian Egyptian elements endeavour essay eternalisation expression external world fact factor feeling festoon figures fundamental genesis geometric regularity geometric style Georg Simmel Gothic Gottfried Semper Greek art Greek ornament history of art human imitation impulse inorganic instinct laws linear Lipps matter ment motifs Mycenean natural model necessity need for empathy Northern object organic Oriental ornamental art outer world pantheism Paul Ernst phenomena phenomenon plant ornament possible precisely primitive psychic psychic needs psychic presuppositions purely geometric religion Renaissance rendering representation Riegl Romanesque sculpture sensation Simmel spirit Stilfragen stylisation tectonic things tion to-day transcendental Trocadéro urge to abstraction urge to empathy Vitruvian scroll whole WILHELM WORRINGER world-picture