The MatrixThe Matrix (1999) was a true end-of-the-millennium movie, a statement of the American Zeitgeist, and a prognosis for the future of big-budget Hollywood filmmaking. Starring Keanu Reeves as Neo, a computer programmer transformed into a messianic freedom fighter, The Matrix blends science fiction with conspiracy thriller conventions and outlandish martial arts created with groundbreaking digital techniques. A box-office triumph, the film was no populist confection: its blatant allusions to highbrow contemporary philosophy added to its appeal as a mystery to be decoded. Joshua Clover undertakes the task of decoding the film. Examining The Matrix's digital effects and how they were achieved, he shows how the film represents a melding of cinema and video games (the greatest commercial threat to have faced Hollywood since the advent of television) and achieves a hybrid kind of immersive entertainment. He also unpacks the movie's references to philosophy, showing how The Matrix ultimately expresses the crisis American culture faced at the end of the 1990s. |
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Page 11
... Neo and are guilty of virtually every computer crime we have a law for . One of these lives has a future , and one ... Neo's leap toward waking ; it's also sexy . ' I know why you hardly sleep , ' the vinyl - clad Trinity breathes into ...
... Neo and are guilty of virtually every computer crime we have a law for . One of these lives has a future , and one ... Neo's leap toward waking ; it's also sexy . ' I know why you hardly sleep , ' the vinyl - clad Trinity breathes into ...
Page 12
... Neo's awakening from the Matrix ; that in which Neo , with the help of friends , comes to understand the Matrix ; and that in which Neo and friends return superhero - style to kick some ass in the Matrix . Put another way , the film's ...
... Neo's awakening from the Matrix ; that in which Neo , with the help of friends , comes to understand the Matrix ; and that in which Neo and friends return superhero - style to kick some ass in the Matrix . Put another way , the film's ...
Page 31
... Neo awoken29 by his computer , and contacted for the first time by the rebels . This chat leads directly to a knock on the door ( numbered 101 , natch ) from Neo's client Choi , who , grateful to pay $ 2,000 for whatever's on the disc ...
... Neo awoken29 by his computer , and contacted for the first time by the rebels . This chat leads directly to a knock on the door ( numbered 101 , natch ) from Neo's client Choi , who , grateful to pay $ 2,000 for whatever's on the disc ...
Contents
Edge of the Construct | 6 |
Bad Digital | 29 |
Good Spectacle | 42 |
Copyright | |
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2nd Unit Agent Smith allegory Andrew Animator appearance Artists Assistant audience Baudrillard Bill Pope Blade Runner boom bullet camera Carrie-Anne Moss cast cinematic Co-ordinator concepts consciousness Construct films corporate cubicle Cypher Dark City David desert designed Disneyland economy Edge exactly false fantasy fighting film's Fiona gamer hero Hollywood human ideology immersion irreality Johnny Mnemonic Keanu Reeves kicks kung fu labour Laurence Fishburne lives look machine Matrix mediated metafilmic Michael mirrorshades Morpheus Morpheus's movie movie's narrative Neo's Neuromancer nightmare nostalgia offers Paul perhaps Philosophy pop culture Production question realise reality rebel Reeves's scene sci-fi screen seems sequence simulation Slavoj Žižek social Special Effects spectacle story Strange Days Supervisor tech television theatre things Thirteenth Floor Thomas Anderson Trinity Truman Show underclass videogame viewer Visual Effects Wachowski Brothers Warner Bros window Žižek