The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 117
... Austen's heroines I think we can recognize figures comparable and akin to Sophia Western and Amelia , for all they are drawn from a woman's point of view . In her own way , Miss Austen adapted and carried fur- ther Fielding's dramatic ...
... Austen's heroines I think we can recognize figures comparable and akin to Sophia Western and Amelia , for all they are drawn from a woman's point of view . In her own way , Miss Austen adapted and carried fur- ther Fielding's dramatic ...
Page 125
... Austen's use of the minor character . Miss Bates rambles on , innocent and silly , al- most in stream - of - consciousness fashion ; but she rambles on to good purpose , rambles on dramatically , in that what she says is not merely ...
... Austen's use of the minor character . Miss Bates rambles on , innocent and silly , al- most in stream - of - consciousness fashion ; but she rambles on to good purpose , rambles on dramatically , in that what she says is not merely ...
Page 235
... Austen does , and he is probably the last English novelist to do so . His relation both to Fielding and Miss Austen can be summarized very much as follows : just as Jane Austen rep- resents a feminization of Fielding , so Trollope is a ...
... Austen does , and he is probably the last English novelist to do so . His relation both to Fielding and Miss Austen can be summarized very much as follows : just as Jane Austen rep- resents a feminization of Fielding , so Trollope is a ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontë called century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young