The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 85
... less , and reason seemed powerless to correct them . The appeal was therefore to the heart , to the feelings , which Sterne had so well shown how to touch , though Sterne's great achievement , the use of sensibility for the purposes of ...
... less , and reason seemed powerless to correct them . The appeal was therefore to the heart , to the feelings , which Sterne had so well shown how to touch , though Sterne's great achievement , the use of sensibility for the purposes of ...
Page 139
... less running through the book , the real character is the parish of Dalmailing itself . And here Galt's is still an outstanding performance , for we see , in consid- erable detail and year by year , the change from a small , static ...
... less running through the book , the real character is the parish of Dalmailing itself . And here Galt's is still an outstanding performance , for we see , in consid- erable detail and year by year , the change from a small , static ...
Page 266
... less evident in Felix Holt the Radical , though it is much less a failure than Romola . A failure it was bound to be because of the plot George Eliot saddled her- self with , a plot based upon the minutiae of the law which , in itself ...
... less evident in Felix Holt the Radical , though it is much less a failure than Romola . A failure it was bound to be because of the plot George Eliot saddled her- self with , a plot based upon the minutiae of the law which , in itself ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontë called century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young