The Situation of the Novel |
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Page 58
Leonard Meyer writes : The most deep - seated beliefs , attitudes , and dispositions which form the fundamental basis of an ideology are not as a rule rationally arrived at , nor are they usually consciously held .
Leonard Meyer writes : The most deep - seated beliefs , attitudes , and dispositions which form the fundamental basis of an ideology are not as a rule rationally arrived at , nor are they usually consciously held .
Page 59
This consciousness heavily stresses certain private virtues , such as inner strength and integrity : Alan Sillitoe's Loneliness of the Long Distance Runner is a striking embodiment of these attitudes . Holloway illustrates his argument ...
This consciousness heavily stresses certain private virtues , such as inner strength and integrity : Alan Sillitoe's Loneliness of the Long Distance Runner is a striking embodiment of these attitudes . Holloway illustrates his argument ...
Page 149
There is not , perhaps , anything particularly English about such a set of attitudes : critics such as Leslie Fiedler and R. W. B. Lewis have shown how American fiction tends to alternate between nostalgia for a vanished childhood or ...
There is not , perhaps , anything particularly English about such a set of attitudes : critics such as Leslie Fiedler and R. W. B. Lewis have shown how American fiction tends to alternate between nostalgia for a vanished childhood or ...
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Contents
Preface | 7 |
Character and Liberalism | 35 |
The Ideology of Being English | 56 |
Copyright | |
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achievement admired American appeared attempt attitudes become called century certainly chapter character comic concerned consciousness contemporary course critical cultural deal described discussion early effect Eliot England English established existence experience fact feel fiction given Golden Notebook hand human ideas imagination individual instance interest involved John kind language later least less liberal literary literature living looking matter means mind Music narrative narrator nature never Nevertheless novel novelist objects observer offer opening original past perhaps personality Pop Art possible Powell present published question reader reality recent reference reflects regarded relation remains remarked seems seen sense short shows similar situation Snow social society story suggested Sword of Honour things tion traditional true turn universe values Waugh whole Wilson writing written young