The Situation of the Novel |
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Page 59
There is domination by what Holloway calls the ' moralized consciousness ' ,
which is particularly noticeable in literary criticism , where ' marked moral
intensity ' is the cardinal virtue . This consciousness heavily stresses certain
private virtues ...
There is domination by what Holloway calls the ' moralized consciousness ' ,
which is particularly noticeable in literary criticism , where ' marked moral
intensity ' is the cardinal virtue . This consciousness heavily stresses certain
private virtues ...
Page 101
They approach the problems of writing fiction with an intense , probing
consciousness , and their solutions are both very modern and very much in the
traditions of American fiction , stressing the fantastic , the fabulous , the
allegorical , and ...
They approach the problems of writing fiction with an intense , probing
consciousness , and their solutions are both very modern and very much in the
traditions of American fiction , stressing the fantastic , the fabulous , the
allegorical , and ...
Page 137
Perhaps one needs to stress that there is a crucial difference between , say ,
John Barth's conscious imitation of Defoe in The Sot - Weed Factor , and Snow's
presumably unconscious imitation of Trollope throughout Strangers and Brothers
.
Perhaps one needs to stress that there is a crucial difference between , say ,
John Barth's conscious imitation of Defoe in The Sot - Weed Factor , and Snow's
presumably unconscious imitation of Trollope throughout Strangers and Brothers
.
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Contents
Preface | 7 |
Character and Liberalism | 35 |
The Ideology of Being English | 56 |
Copyright | |
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Common terms and phrases
achievement admired American appeared attempt attitudes become called century certainly chapter character comic concerned consciousness contemporary course critical cultural deal described discussion early effect Eliot England English established existence experience fact feel fiction given Golden Notebook hand human ideas imagination individual instance interest involved John kind later least less liberal literary literature living looking matter means mind Music narrative narrator nature never Nevertheless novel novelist objects observer offer opening original past perhaps personality Pop Art possible Powell present published question reader reality recent reference reflects regarded relation remains remarked seems seen sense short shows similar situation Snow social society story suggested Sword of Honour things tion traditional true turn universe values Waugh whole Wilson writing written young