The Situation of the Novel |
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Page 20
Harry Levin has expressed it very well : ' The novelist must feel a peculiar tension
between the words , conventions , and ideas that the masters of his craft have
handed on to him and the facts , impressions , and experiences that life continues
...
Harry Levin has expressed it very well : ' The novelist must feel a peculiar tension
between the words , conventions , and ideas that the masters of his craft have
handed on to him and the facts , impressions , and experiences that life continues
...
Page 106
The title of A Handful of Dust comes , of course , from The Waste Land , and in
both Eliot's poem and Waugh's novel the characters have a similar inability to feel
deeply . At the end of the novel farce turns into horror , as we leave Tony Last ...
The title of A Handful of Dust comes , of course , from The Waste Land , and in
both Eliot's poem and Waugh's novel the characters have a similar inability to feel
deeply . At the end of the novel farce turns into horror , as we leave Tony Last ...
Page 212
... concern with character and the feeling for dialogue of the practised novelist ; it
also incorporates the essayist's interest in ideas and the expert reporter's ability
to catch the precise feel of fleeing events . The greater part of the book is taken
up ...
... concern with character and the feeling for dialogue of the practised novelist ; it
also incorporates the essayist's interest in ideas and the expert reporter's ability
to catch the precise feel of fleeing events . The greater part of the book is taken
up ...
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Contents
Preface | 7 |
Character and Liberalism | 35 |
The Ideology of Being English | 56 |
Copyright | |
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Common terms and phrases
achievement admired American appeared attempt attitudes become called century certainly chapter character comic concerned consciousness contemporary course critical cultural deal described discussion early effect Eliot England English established existence experience fact feel fiction given Golden Notebook hand human ideas imagination individual instance interest involved John kind later least less liberal literary literature living looking matter means mind Music narrative narrator nature never Nevertheless novel novelist objects observer offer opening original past perhaps personality Pop Art possible Powell present published question reader reality recent reference reflects regarded relation remains remarked seems seen sense short shows similar situation Snow social society story suggested Sword of Honour things tion traditional true turn universe values Waugh whole Wilson writing written young