The Situation of the Novel |
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Page 17
We may , for instance , admit that Raphael was technically better equipped than Giotto without in any way implying that he was the greater artist . Yet it is , I think , remarkably difficult to see the eighteenth - century novelists ...
We may , for instance , admit that Raphael was technically better equipped than Giotto without in any way implying that he was the greater artist . Yet it is , I think , remarkably difficult to see the eighteenth - century novelists ...
Page 42
Bergonzi ) ; he contrasts the stress on the value of ' simple ordinary community life ' that we find in Lawrence or Raymond Williams , with Sartre's intense dislike of the same thing , expressed , for instance , in his book on Genet ...
Bergonzi ) ; he contrasts the stress on the value of ' simple ordinary community life ' that we find in Lawrence or Raymond Williams , with Sartre's intense dislike of the same thing , expressed , for instance , in his book on Genet ...
Page 174
One is not , of course , certain whether Amis would endorse all the ideas expressed in the novel ; as , for instance , when Churchill tells Catherine : ' If there were no such thing as death the whole human race could be happy .
One is not , of course , certain whether Amis would endorse all the ideas expressed in the novel ; as , for instance , when Churchill tells Catherine : ' If there were no such thing as death the whole human race could be happy .
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Contents
Preface | 7 |
Character and Liberalism | 35 |
The Ideology of Being English | 56 |
Copyright | |
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achievement admired American appeared attempt attitudes become called century certainly chapter character comic concerned consciousness contemporary course critical cultural deal described discussion early effect Eliot England English established existence experience fact feel fiction given Golden Notebook hand human ideas imagination individual instance interest involved John kind language later least less liberal literary literature living looking matter means mind Music narrative narrator nature never Nevertheless novel novelist objects observer offer opening original past perhaps personality Pop Art possible Powell present published question reader reality recent reference reflects regarded relation remains remarked seems seen sense short shows similar situation Snow social society story suggested Sword of Honour things tion traditional true turn universe values Waugh whole Wilson writing written young