A View of the English Stage: Or, A Series of Dramatic Criticisms |
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Page 1
... action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted . Indeed , the very first scene in which he comes on with ...
... action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted . Indeed , the very first scene in which he comes on with ...
Page 1
... action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted . Indeed , the very first scene in which he comes on with ...
... action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted . Indeed , the very first scene in which he comes on with ...
Page 2
... action , presenting a succession of striking pictures , and giving per- petually fresh shocks of delight and surprise , it would be difficult to single out a competitor . The fault of his acting was ( if we may hazard the objection ) ...
... action , presenting a succession of striking pictures , and giving per- petually fresh shocks of delight and surprise , it would be difficult to single out a competitor . The fault of his acting was ( if we may hazard the objection ) ...
Page 3
... action ; the eye is never silent . For depth and force of conception , we have seen actors whom we should prefer to Mr. Kean in Shylock ; for brilliant and masterly execution , none . It is not saying too much of him , though it is ...
... action ; the eye is never silent . For depth and force of conception , we have seen actors whom we should prefer to Mr. Kean in Shylock ; for brilliant and masterly execution , none . It is not saying too much of him , though it is ...
Page 6
... action of putting his hands behind him , in listening to Buckingham's account of his reception by the citizens . His courtship scene with Lady Anne 3 was an admirable exhibition of smooth and smiling villany . The progress of wily ...
... action of putting his hands behind him , in listening to Buckingham's account of his reception by the citizens . His courtship scene with Lady Anne 3 was an admirable exhibition of smooth and smiling villany . The progress of wily ...
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Common terms and phrases
acting action actor admirable allusion appearance applause audience Bartley beautiful Beggar's Opera better Bruges character Charles Kemble comedy comic Comus Coriolanus Covent Garden critics début delight display Dowton dramatic Drury Lane Drury-Lane Duke effect English equal excellent expression farce favour favourite feeling gaiety Garrick genius gentleman give grace Hamlet Haymarket Haymarket Theatre Hazlitt humour Iago Ibid imagination indifferent interest Kean Kean's Kemble Kemble's King Lady Liston look Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night O'Neill's October Othello pantomime passages passion perfect performance person piece play plot poet produced revived Richard Richard III Romeo scene seems sense sentiment Shakespeare Shylock Siddons singing Sir Giles song soul spirit stage sung Theatre theatrical thing thou thought tion tone tragedy voice whole Wife words young
Popular passages
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Page 66 - Think, my lord ! By heaven, he echoes me. As if there were some monster in his thought Too hideous to be shown.
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Page 62 - Ay, there's the point :' — as — to be bold with you — Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends, — Foh ! one may smell in such a will most rank, Foul disproportion, thoughts unnatural...
Page 67 - Dangerous conceits are, in their natures, poisons, Which, at the first, are scarce found to distaste ; But, with a little act upon the blood, Burn like the mines of sulphur.
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Page 14 - If folly grow romantic, I must paint it. Come, then, the colours and the ground prepare ! Dip in the rainbow, trick her off in air ; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.