A View of the English Stage: Or, A Series of Dramatic Criticisms |
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Page 2
... feeling , or in embodying the general conception of rigid and uncontrollable self - will , equally proof against every sentiment of humanity or prejudice of opinion , we have seen actors more successful than Mr. Kean ; but in giving ...
... feeling , or in embodying the general conception of rigid and uncontrollable self - will , equally proof against every sentiment of humanity or prejudice of opinion , we have seen actors more successful than Mr. Kean ; but in giving ...
Page 4
... feeling , with somewhat less brilliancy , with fewer glancing lights , pointed transitions , and pantomimic evolutions . ] The Richard of Shakespeare is towering and lofty , as well as aspiring ; equally impetuous and commanding ...
... feeling , with somewhat less brilliancy , with fewer glancing lights , pointed transitions , and pantomimic evolutions . ] The Richard of Shakespeare is towering and lofty , as well as aspiring ; equally impetuous and commanding ...
Page 5
... feels " The golden rigol bind his brows . " 4 3 1 Richard III , 1 , iii , 263-5 . 2 By Colley Cibber . 3 Richard III , IV , ii , 1 . This " quotation " is neither from Shakespeare's play nor from the acting version : the " golden rigol ...
... feels " The golden rigol bind his brows . " 4 3 1 Richard III , 1 , iii , 263-5 . 2 By Colley Cibber . 3 Richard III , IV , ii , 1 . This " quotation " is neither from Shakespeare's play nor from the acting version : the " golden rigol ...
Page 7
... feeling that 1 Richard III , v , v . gave to 2 Alexander Pope's first wife ( Elizabeth Younge ) played this part in September , 1789 . 3 Mrs. Dancer - who made her début at the Haymarket in 1766— became Mrs. Barry in 1768 , and Mrs ...
... feeling that 1 Richard III , v , v . gave to 2 Alexander Pope's first wife ( Elizabeth Younge ) played this part in September , 1789 . 3 Mrs. Dancer - who made her début at the Haymarket in 1766— became Mrs. Barry in 1768 , and Mrs ...
Page 9
... feeling , loth to part with the bitter consolation . Where he says to Buckingham , “ I am not i ' the vein , " the expression should , we imagine , be that of stifled hatred and cold contempt , instead of sarcastic petulance . The scene ...
... feeling , loth to part with the bitter consolation . Where he says to Buckingham , “ I am not i ' the vein , " the expression should , we imagine , be that of stifled hatred and cold contempt , instead of sarcastic petulance . The scene ...
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acting action actor admirable allusion appearance applause audience Bartley beautiful Beggar's Opera better Bruges character Charles Kemble comedy comic Comus Coriolanus Covent Garden critics début delight display Dowton dramatic Drury Lane Drury-Lane Duke effect English equal excellent expression farce favour favourite feeling gaiety Garrick genius gentleman give grace Hamlet Haymarket Haymarket Theatre Hazlitt humour Iago Ibid imagination indifferent interest Kean Kean's Kemble Kemble's King Lady Liston look Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night O'Neill's October Othello pantomime passages passion perfect performance person piece play plot poet produced revived Richard Richard III Romeo scene seems sense sentiment Shakespeare Shylock Siddons singing Sir Giles song soul spirit stage sung Theatre theatrical thing thou thought tion tone tragedy voice whole Wife words young
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