A View of the English Stage: Or, A Series of Dramatic Criticisms |
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Page xxii
... passages and criticisms that have been transferred to other publications , such as the account of The Beggar's Opera , Coriolanus , etc. In fact , I have come to this determination in my own mind , that a work is as good as manuscript ...
... passages and criticisms that have been transferred to other publications , such as the account of The Beggar's Opera , Coriolanus , etc. In fact , I have come to this determination in my own mind , that a work is as good as manuscript ...
Page 2
... passage was received with equal and deserved applause . We thought , in one or two instances , the pauses in the voice were too long , and too great a reliance placed on the expression of the countenance , which is a language ...
... passage was received with equal and deserved applause . We thought , in one or two instances , the pauses in the voice were too long , and too great a reliance placed on the expression of the countenance , which is a language ...
Page 4
... passages the tone of the late Mr. Cooke 2 ] . He stands upon his own ground , and he stands firm upon it . Almost every scene had the stamp and freshness of nature . The excellences and defects of his performance were in general the ...
... passages the tone of the late Mr. Cooke 2 ] . He stands upon his own ground , and he stands firm upon it . Almost every scene had the stamp and freshness of nature . The excellences and defects of his performance were in general the ...
Page 6
... passage in an under - key . His manner of bidding his friends good night , and his pausing 5 1 Richard III , III , i , 193 . 2 Ibid . , III , vii . 4 Ibid . , I , i . 7 3 Ibid . , I , ii . 6 5 lbid . , V , v , acting version ...
... passage in an under - key . His manner of bidding his friends good night , and his pausing 5 1 Richard III , III , i , 193 . 2 Ibid . , III , vii . 4 Ibid . , I , i . 7 3 Ibid . , I , ii . 6 5 lbid . , V , v , acting version ...
Page 20
... passages which he has attempted , are , we think , injudicious and injurious to the effect . Thus the rich and poetical description of the person of Cleopatra , in the beginning of the second act— " The barge she sat in , like a ...
... passages which he has attempted , are , we think , injudicious and injurious to the effect . Thus the rich and poetical description of the person of Cleopatra , in the beginning of the second act— " The barge she sat in , like a ...
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Common terms and phrases
acting action actor admirable allusion appearance applause audience Bartley beautiful Beggar's Opera better Bruges character Charles Kemble comedy comic Comus Coriolanus Covent Garden critics début delight display Dowton dramatic Drury Lane Drury-Lane Duke effect English equal excellent expression farce favour favourite feeling gaiety Garrick genius gentleman give grace Hamlet Haymarket Haymarket Theatre Hazlitt humour Iago Ibid imagination indifferent interest Kean Kean's Kemble Kemble's King Lady Liston look Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night O'Neill's October Othello pantomime passages passion perfect performance person piece play plot poet produced revived Richard Richard III Romeo scene seems sense sentiment Shakespeare Shylock Siddons singing Sir Giles song soul spirit stage sung Theatre theatrical thing thou thought tion tone tragedy voice whole Wife words young
Popular passages
Page 2 - BELL (Sir Charles). The Anatomy and Philosophy of Expression, as connected with the Fine Arts.
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Page 66 - Think, my lord ! By heaven, he echoes me. As if there were some monster in his thought Too hideous to be shown.
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Page 62 - Ay, there's the point :' — as — to be bold with you — Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends, — Foh ! one may smell in such a will most rank, Foul disproportion, thoughts unnatural...
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Page 14 - If folly grow romantic, I must paint it. Come, then, the colours and the ground prepare ! Dip in the rainbow, trick her off in air ; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.