A View of the English Stage: Or, A Series of Dramatic Criticisms |
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Page 1
... perfect of any . Notwithstanding the complete success of Mr. Kean in the part of Shylock , we question whether he will not become a greater favourite in other parts . There was a lightness and vigour in his tread , a buoyancy and ...
... perfect of any . Notwithstanding the complete success of Mr. Kean in the part of Shylock , we question whether he will not become a greater favourite in other parts . There was a lightness and vigour in his tread , a buoyancy and ...
Page 1
... perfect of any . Notwithstanding the complete success of Mr. Kean in the part of Shylock , we question whether he will not be- come a greater favourite in other parts . There was a light- ness and vigour in his tread , a buoyancy and ...
... perfect of any . Notwithstanding the complete success of Mr. Kean in the part of Shylock , we question whether he will not be- come a greater favourite in other parts . There was a light- ness and vigour in his tread , a buoyancy and ...
Page 4
... perfect , it should have a little more solidity , depth , sustained and impassioned feeling , with somewhat less brilliancy , with fewer glancing ✓ lights , pointed transitions , and pantomimic evolutions . ] The Richard of Shakespeare ...
... perfect , it should have a little more solidity , depth , sustained and impassioned feeling , with somewhat less brilliancy , with fewer glancing ✓ lights , pointed transitions , and pantomimic evolutions . ] The Richard of Shakespeare ...
Page 6
... perfect truth and character , and delivered in a fine and varied tone of natural recitation . Mr. Kean did equal justice to the beautiful description of the camps the night before the battle , though , in consequence of his hoarseness ...
... perfect truth and character , and delivered in a fine and varied tone of natural recitation . Mr. Kean did equal justice to the beautiful description of the camps the night before the battle , though , in consequence of his hoarseness ...
Page 7
... perfect of any thing that has been witnessed since the days of Garrick . The play was got up with great skill . The scenes were all painted with strict regard to historic truth . There had evidently been research as to identity of place ...
... perfect of any thing that has been witnessed since the days of Garrick . The play was got up with great skill . The scenes were all painted with strict regard to historic truth . There had evidently been research as to identity of place ...
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Common terms and phrases
acting action actor admirable allusion Alsop appearance audience Bartley beautiful Beggar's Beggar's Opera better character Charles Kemble comedy comic Comus Coriolanus Covent Garden critic début delight Dowton dramatic Drury Lane Drury-Lane Duke Edited effect English excellent expression farce favour favourite feeling French gaiety genius gentleman give grace Hamlet Harley Haymarket Haymarket Theatre Hazlitt humour Iago Ibid indifferent interest Isaac Pocock John Kean Kean's Kemble Kemble's King Lady Liston Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night October Opera Oroonoko Othello pantomime passages passion performance person piece play poet produced revived Richard Richard III scene seemed sense sentiment Shakespeare Shylock Siddons singing Sir Giles song spirit stage sung Theatre theatrical thing thou thought tion Tokely tone tragedy Translated voice vols Wallack whole Wife words young
Popular passages
Page 66 - Think, my lord ! By heaven, he echoes me. As if there were some monster in his thought Too hideous to be shown.
Page 62 - Ay, there's the point :' — as — to be bold with you — Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends, — Foh ! one may smell in such a will most rank, Foul disproportion, thoughts unnatural...
Page 67 - Dangerous conceits are, in their natures, poisons, Which, at the first, are scarce found to distaste ; But, with a little act upon the blood, Burn like the mines of sulphur.
Page 14 - If folly grow romantic, I must paint it. Come, then, the colours and the ground prepare ! Dip in the rainbow, trick her off in air ; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.