A View of the English Stage: Or, A Series of Dramatic Criticisms |
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Page xv
... voice and manner can be mimicked , must have been remarked or felt by most of us . It is no wonder then , that we should feel the same sort of curiosity and interest , in seeing those whose business it is to " imitate humanity " in ...
... voice and manner can be mimicked , must have been remarked or felt by most of us . It is no wonder then , that we should feel the same sort of curiosity and interest , in seeing those whose business it is to " imitate humanity " in ...
Page xix
... voice . On the contrary , I did all I could to counteract the effect of these safe , not very sound , insinuations , and " screw the courage " of one principal organ of public opinion " to the sticking - place . " I do not repent of ...
... voice . On the contrary , I did all I could to counteract the effect of these safe , not very sound , insinuations , and " screw the courage " of one principal organ of public opinion " to the sticking - place . " I do not repent of ...
Page xx
... voice . He did not play at Covent - Garden . He was not John Kemble . ” This was all you could get from them , and this they thought quite sufficient to prove that he was not any thing , because he was not something quite different from ...
... voice . He did not play at Covent - Garden . He was not John Kemble . ” This was all you could get from them , and this they thought quite sufficient to prove that he was not any thing , because he was not something quite different from ...
Page 1
... voice , eye , action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted . Indeed , the very first scene in which he ...
... voice , eye , action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted . Indeed , the very first scene in which he ...
Page 1
... voice , eye , action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted . Indeed , the very first scene in which he ...
... voice , eye , action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted . Indeed , the very first scene in which he ...
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Common terms and phrases
acting action actor admirable allusion appearance applause audience Bartley beautiful Beggar's Opera better Bruges character Charles Kemble comedy comic Comus Coriolanus Covent Garden critics début delight display Dowton dramatic Drury Lane Drury-Lane Duke effect English equal excellent expression farce favour favourite feeling gaiety Garrick genius gentleman give grace Hamlet Haymarket Haymarket Theatre Hazlitt humour Iago Ibid imagination indifferent interest Kean Kean's Kemble Kemble's King Lady Liston look Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night O'Neill's October Othello pantomime passages passion perfect performance person piece play plot poet produced revived Richard Richard III Romeo scene seems sense sentiment Shakespeare Shylock Siddons singing Sir Giles song soul spirit stage sung Theatre theatrical thing thou thought tion tone tragedy voice whole Wife words young
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Page 66 - Think, my lord ! By heaven, he echoes me. As if there were some monster in his thought Too hideous to be shown.
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Page 62 - Ay, there's the point :' — as — to be bold with you — Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends, — Foh ! one may smell in such a will most rank, Foul disproportion, thoughts unnatural...
Page 67 - Dangerous conceits are, in their natures, poisons, Which, at the first, are scarce found to distaste ; But, with a little act upon the blood, Burn like the mines of sulphur.
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Page 14 - If folly grow romantic, I must paint it. Come, then, the colours and the ground prepare ! Dip in the rainbow, trick her off in air ; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.