Recollecting from the Past: Musical Practice and Spirit Possession on the East Coast of MadagascarStudies interconnections between sound production, spirit possession, colonialism and ceremonial remembering in Madagascar. |
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Contents
Map of Madagascar | 26 |
Zoma Velo possessed putting body onto valiha during tromba ceremony Velontsoa on valiha | 53 |
Very Soa playing accordion from his fruitstand at the large central market the bazary be in Tamataveville | 58 |
Segment of midegana performed on valiha by Velontsoa | 66 |
Three rhythms inherent in most Malagasy ceremonial music | 68 |
Vinelo preforming on maro tady | 71 |
Improvisation within smallphrase structure of midegana | 77 |
Improvisation within mira feo | 78 |
Tombo Daniels valiha tuning | 93 |
Antandroy mira feo valiha tuning | 95 |
Structure of the diatonic button accordion | 98 |
Very Soas alterations of the Viennastyle accordion | 100 |
Very Soa making accordion adjustments | 103 |
Jily performing on accordion at one of Andréas tromba ceremonies | 131 |
Andréa possessed at tromba altar | 132 |
Segment of Betsimisaraka tune also favored by Antandroy | 139 |
Phrase of Volonaomby performed on accordion by Jily | 79 |
Head from Tanorani Dadilahy | 80 |
Improvisation segment from Tanorani Dadilahy | 83 |
Jean Dedier from the Tamatave countryside with Betsimisaraka tôle valiha | 92 |
PHOTOS | 191 |
Notes | 203 |
223 | |
Other editions - View all
Recollecting from the Past: Musical Practice and Spirit Possession on the ... Ron Emoff No preview available - 2002 |
Common terms and phrases
References to this book
Empire of Dirt: The Aesthetics and Rituals of British Indie Music Wendy Fonarow Limited preview - 2006 |