Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 15Gale Research Company, 1984 |
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Page 353
... action is continuous and confined ; in fact , the unities of time and place are observed more stringently than any formulation demands . These facts alone bespeak a deliberate restric- tion of subject unusual for Shakespeare . Moreover ...
... action is continuous and confined ; in fact , the unities of time and place are observed more stringently than any formulation demands . These facts alone bespeak a deliberate restric- tion of subject unusual for Shakespeare . Moreover ...
Page 369
... action of the play . When Prospero invites the courtiers to : Mark but the badges of these men , my lords , Then say if they be true [ V. i . 267-68 ] he is making the essential link between two plots . The badges which identify ...
... action of the play . When Prospero invites the courtiers to : Mark but the badges of these men , my lords , Then say if they be true [ V. i . 267-68 ] he is making the essential link between two plots . The badges which identify ...
Page 370
... action but that they are the action , an action which has become internalised . But even an internal ac- tion must involve change and development . If Prospero delivers these speeches from a serene and omniscient moral repose , then the ...
... action but that they are the action , an action which has become internalised . But even an internal ac- tion must involve change and development . If Prospero delivers these speeches from a serene and omniscient moral repose , then the ...
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actors actress appeared Ariel audience beautiful Belarius Brook brothel Caliban cast character Charles Charles Kean Cloten comedy comic costume Covent Garden critic Cymbeline dance daughter director dramatic Drury Lane effect Ellen Terry enchanted essay date feeling Ferdinand Garrick Gielgud Gower Guiderius Helen Faucit Henry Hermione human Iachimo imagination Imogen island John John Gielgud Kean Kean's Kemble King Leontes lines London look Lysimachus Macready Macready's magic Marina masque ment Miranda Miss never Old Vic Paulina Perdita performance Pericles Peter Phelps Pisanio play's plot poetry Posthumus praise present production Prospero Queen review date revival role Roman Royal Shakespeare Company scene scenery scenic seems Shake Shakespeare Shakespeare's plays ship song speak speare's spectacle speech spirit stage Stephano storm story Stratford Strehler's Tempest Terry Thaisa Theatre theatrical thing thou tion Trewin Trinculo William Winter's Tale words young