The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page xxi
... sense of being consciously made and shaped to an aesthetic end is quite new . Though there have been few more consummate artists in the novel than Fielding and Jane Austen , for the greater part of its course in England the novel has ...
... sense of being consciously made and shaped to an aesthetic end is quite new . Though there have been few more consummate artists in the novel than Fielding and Jane Austen , for the greater part of its course in England the novel has ...
Page 154
... sense against their age ; they were critical , even hostile , to its dominant assumptions . Their relation to the reading public was nearer to that of the twentieth - century novelist than to the early Victorians . The difference may be ...
... sense against their age ; they were critical , even hostile , to its dominant assumptions . Their relation to the reading public was nearer to that of the twentieth - century novelist than to the early Victorians . The difference may be ...
Page 418
... sense impressions , and associations that must stand for the whole flow of mental activity , to be made ? It is impossible , with Pilgrim- age , to speak of structure or form at all . There is selection , but it is largely the selection ...
... sense impressions , and associations that must stand for the whole flow of mental activity , to be made ? It is impossible , with Pilgrim- age , to speak of structure or form at all . There is selection , but it is largely the selection ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontë called century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young