The Oxford Handbook of Virtuality

Front Cover
Mark Grimshaw
OUP USA, 2014 - Computers - 773 pages
As this comprehensive and multi-disciplinary anthology makes clear, virtuality has a pedigree that pre-dates the computer age and modern virtual worlds, a pedigree that can be traced back to classical mythology and beyond. Equally, the concept of virtuality is not the province of one field of study alone but is the foundation and driving force of many, both theoretical and applied. Our conceptualizations and applications of virtuality are multiple, as is shown across the nine sections of the book that move from philosophy to technologies and applications before returning to philosophy again for a discussion of the utopias and dystopias of virtuality. The almost 50 essays contained within range freely across subjects that include the potential of virtuality, ethics, virtuality and self, presence and immersion, virtual emotions, image, sound and literature, computer games, AI and A-Life, Augmented Reality and Real Virtuality, law and economics, medical and military applications, religion, and cybersex. Throughout, contributors discuss differences between virtuality, reality, and actuality, in debates filtered through the lenses of the disciplines represented here, and speculate on future directions. It is not at all clear that there are differences and, if such distinctions are to be found, the boundaries between virtuality, reality, and actuality continually shift as ideas, modes of organization, and behaviors constantly flow from one to the other regardless of direction. The Handbook presents no unified definition of virtuality to comfort the reader, rather a multiplicity of questions and approaches underpinned by provocative statements that should further fuel the debates surrounding our notions of virtuality.
 

Contents

INTRODUCTION
1
PART I THE FOUNDATIONS OF VIRTUALITY
15
PART II PSYCHOLOGY AND PERCEPTION
127
PART III CULTURE AND SOCIETY
237
PART IV SOUND
349
PART V IMAGE
405
PART VI ECONOMY AND LAW
479
PART VII ALIFE AND ARTIFICIAL INTELLIGENCE
509
PART VIII TECHNOLOGY AND APPLICATIONS
587
PART IX UTOPIA AND DYSTOPIA
681
AN AFTERWORD IN FOUR BINARISMS
739
INDEX
747
Copyright

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About the author (2014)

Mark Grimshaw is The Obel Professor of Music at Aalborg University, Denmark. He writes extensively on sound in computer games with a particular interest in emotioneering and the use of biofeedback for the real-time synthesis of game sound. He also writes free, open source software for virtual research environments (WIKINDX) and is investigating the uses of sonification to facilitate creativity in the context of such knowledge tools.