Poetic Meter and Poetic FormHelps aspiring readers enlarge their sensitivity to the rhythmical and formal dimensions of poetry. |
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Page 28
In classical , Romance , and Old English verse the caesura is used in a fairly
predictable way . It is only with the development in English of the staple iambic
pentameter line - that ubiquitous and apparently permanent vehicle — that varied
and ...
In classical , Romance , and Old English verse the caesura is used in a fairly
predictable way . It is only with the development in English of the staple iambic
pentameter line - that ubiquitous and apparently permanent vehicle — that varied
and ...
Page 29
It is also extremely regular in the staple line of French epic and dramatic verse ,
the syllabic alexandrine : Trois fois cinquante jours | | le général naufrage
Dégasta l ' univers ; | | et fin d ' un tel ravage ( Du Bartas , “ La Première Semaine
" ) It ...
It is also extremely regular in the staple line of French epic and dramatic verse ,
the syllabic alexandrine : Trois fois cinquante jours | | le général naufrage
Dégasta l ' univers ; | | et fin d ' un tel ravage ( Du Bartas , “ La Première Semaine
" ) It ...
Page 39
It almost goes without saying that expressive metrical variations are possible only
in verse conceived in a tradition of more or less regular base rhythm : we can
have no variations in entirely “ free ” or “ cadenced ” verse . The poet working in ...
It almost goes without saying that expressive metrical variations are possible only
in verse conceived in a tradition of more or less regular base rhythm : we can
have no variations in entirely “ free ” or “ cadenced ” verse . The poet working in ...
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Contents
The Nature of Meter | 3 |
The Technique of Scansion | 20 |
Metrical Variations | 36 |
Copyright | |
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Common terms and phrases
accentual accentual-syllabic according action actual appears associated become beginning caesura called century classical closely consider consists conventions couplet critical effect elements English example expect experience expressive feel feet final fixed foot force formal four hand heart heroic iambic illusion imply important initial John kind language largely length less logical look matter meaning measure ment meter metrical musical nature never occur once organization pattern pentameter perhaps permission Petrarchan poem poet poetic poetry position possible practice principle produce prosodic quatrain reader reason regularity rhetorical rhyme rhythm rhythmical scansion scheme seems sense shape short similar sonnet sort sound speak spondaic spondee stand stanza stanzaic stress structure substitution suggest syllables technical technique tends term tetrameter thing third tion tradition trochaic trochee turn variations varied verse weight whole write written