Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
From inside the book
Results 1-3 of 96
Page 21
... moral cadences like the chastening of Sir Toby and the ex- pulsion of Malvolio . There are resolutions to moral- realistic problems in Shakespearean comedy , but to make these resolutions and the process of arriving at them the primary ...
... moral cadences like the chastening of Sir Toby and the ex- pulsion of Malvolio . There are resolutions to moral- realistic problems in Shakespearean comedy , but to make these resolutions and the process of arriving at them the primary ...
Page 22
... moral issue is put on one side of the scale , something goes on the other side that mocks the very process of moral analy- sis . We are constantly recalled by jokes , songs , games , feasts , plays ; when we see Jessica and Lorenzo ...
... moral issue is put on one side of the scale , something goes on the other side that mocks the very process of moral analy- sis . We are constantly recalled by jokes , songs , games , feasts , plays ; when we see Jessica and Lorenzo ...
Page 107
... moral issues would be more clear- cut but the play correspondingly less interesting . The play's overt sententiousness serves a dramatic purpose similar to that which T. S. Eliot found for ' meaning ' in poetry : ' to satisfy one habit ...
... moral issues would be more clear- cut but the play correspondingly less interesting . The play's overt sententiousness serves a dramatic purpose similar to that which T. S. Eliot found for ' meaning ' in poetry : ' to satisfy one habit ...
Contents
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
1 other sections not shown
Other editions - View all
Common terms and phrases
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young