Musicology: The Key ConceptsMusicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms including: - aesthetics - canon - culture - deconstruction - ethnicity - identity - subjectivity - value - work Fully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music. |
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Abbate absolute music Adorno aesthetic American musicologist argued artists authenticity autonomy avant-garde Barthes Beethoven Bohlman Bujić Cambridge canon classical composer's composers concept concerned construction contemporary context critical musicology critical theory critique cultural studies culture industry Dahlhaus deconstruction defined developed discourse emergence Enlightenment ethnicity ethnomusicology example explored film Further reading G.W.F. Hegel gender genre German globalization Heinrich Schenker hermeneutic historical musicology hybridity ibid idea identity ideology influence interpretation issues jazz Kant Kramer language Lawrence Kramer listening literary London Marxism McClary meaning metaphor modernism music analysis music theorist musical styles musicians narrative nationalism nineteenth century opera organicism Orientalism Oxford performance period perspective philosopher political popular music post-structuralism postmodernism recent reference reflects relation relationship Renaissance Renaissance music Romantic Romanticism Schoenberg semiotics sense social specific structure stylistic subject position suggests Susan McClary Symphony Taruskin Theodor Adorno Tomlinson tonal tradition twentieth century University Press Wagner writing York