Nightmare Overhanging Darkly: Essays on African American Culture and ResistanceWith an analysis informed by more than two decades of cultural work and activism on the frontlines, Nightmare Overhanging Darkly reviews the historic tradition of Black cultural resistance to Western imperialism and oppression. In emphasizing the process by which creative artists have initiated and influenced social change, Dr. Acklyn Lynch issues a challenge to Black cultural workers and offers Black educators a blueprint for restructuring Black colleges and universities to best assist Black empowerment. Dr. Lynch centers his study on the 1940s to the 1990s and offers critiques of the major political activists and creative artists of that period -- including Paul Robeson, Sonia Sanchez, Charlie Parker, Malcolm X, Katherine Dunham, Jeff Donaldson, Alice Walker, George Jackson, Richard Wright, Toni Cade Bambara, Romare Bearden, KRS-ONE and others. Lynch reminds us that there is an organic link between art and resistance that moves beyond art for art's sake.--Publisher's description. |
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Page 75
... dance conceptions offer color , variety , as well as an unusual human warmth . " However , it was the dance critic of the Afro - American , who reported : Nothing in Tropical Revue makes you ashamed of your people . There is no Uncle ...
... dance conceptions offer color , variety , as well as an unusual human warmth . " However , it was the dance critic of the Afro - American , who reported : Nothing in Tropical Revue makes you ashamed of your people . There is no Uncle ...
Page 177
... dancers didn't turn out . They couldn't dance , because the club owner had to pay a highter tax , so they usually organized the shows . Firstly , they cut out the big bands and then they cut out dancing . And it was at this time that ...
... dancers didn't turn out . They couldn't dance , because the club owner had to pay a highter tax , so they usually organized the shows . Firstly , they cut out the big bands and then they cut out dancing . And it was at this time that ...
Page 178
... dances , later on , around the bebop music . And it was called the " bop " in New York and Philly . You could dance to the music and there were dancers who were experts . But , it is a kind of dancing that you don't see much of anymore ...
... dances , later on , around the bebop music . And it was called the " bop " in New York and Philly . You could dance to the music and there were dancers who were experts . But , it is a kind of dancing that you don't see much of anymore ...
Contents
Beyond Survival | 7 |
Black on Black Homicide | 27 |
Black Culture in the Early Forties | 53 |
Copyright | |
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