Eternal Treblinka: Our Treatment of Animals and the HolocaustThis book explores the similar attitudes and methods behind modern society's treatment of animals and the way humans have often treated each other, most notably during the Holocaust. The book's epigraph and title are from "The Letter Writer," a story by the Yiddish writer and Nobel Laureate Isaac Bashevis Singer: "In relation to them, all people are Nazis; for the animals it is an eternal Treblinka." The first part of the book (Chapter 1-2) describes the emergence of human beings as the master species and their domination over the rest of the inhabitants of the earth. The second part (Chapters 3-5) examines the industrialization of slaughter (of both animals and humans) that took place in modern times. The last part of the book (Chapters 6-8) profiles Jewish and German animal advocates on both sides of the Holocaust, including Isaac Bashevis Singer himself. The Foreword is by Lucy Rosen Kaplan, former attorney for People for the Ethical Treatment of Animals (PETA) and daughter of Holocaust survivors. Her foreword, the Preface and Afterword, excerpts from the book, chapter synopses, and an international list of supporters can be found on the book's website at: www.powerfulbook.com |
From inside the book
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... German soldier carrying off live geese is in the State Museum of the History of the Great Patriotic War in Minsk , Belarus . Printed in the United States of America Library of Congress Cataloging - in - Publication Data Patterson ...
... . 169 8. The Other Side of the Holocaust German Voices for the Voiceless ... Afterword ... Notes .... Bibliography . Acknowledgments Index .... 201 231 233 271 ..281 283 FOREWORD I ́n Eternal Treblinka , not only are we X TABLE OF CONTENTS.
... and the same with the suffering that humans often inflict on each other , must read and re - read this book . Lucy Rosen Kaplan , Esq . Baltimore , Maryland PREFACE W became close friends with a German Jewish refugee ETERNAL TREBLINKA xiii.
... German Jewish refugee , traumatized While in New York doing graduate work at Columbia University , I by her experience of living under the Nazis for six years . Her story moved me deeply , so I took courses and read extensively to learn ...
... German — whose animal advocacy has been , at least to some extent , shaped by the Holocaust . The conviction of Albert Camus that " it is a writer's responsibility to speak for those who cannot speak for themselves " helped me perse ...
Contents
3 | |
27 | |
MASTER SPECIES MASTER RACE | 51 |
THE INDUSTRIALIZATION OF SLAUGHTER The Road to Auschwitz Through America | 53 |
IMPROVING THE HERD From Animal Breeding to Genocide | 81 |
WITHOUT THE HOMAGE OF A TEAR Killing Centers in America and Germany | 109 |
HOLOCAUST ECHOES | 137 |
WE WERE LIKE THAT TOO HolocaustConnected Animal Advocates | 139 |
THIS BOUNDLESS SLAUGHTERHOUSE The Compassionate Vision of Isaac Bashevis Singer | 169 |
THE OTHER SIDE OF THE HOLOCAUST German Voices for the Voiceless | 201 |
AFTERWORD | 231 |
NOTES | 233 |
BIBLIOGRAPHY | 271 |
ACKNOWLEDGMENTS | 281 |
INDEX | 283 |
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References to this book
A Violent God-Image: An Introduction to the Work of Eugen Drewermann Matthias Beier Limited preview - 2006 |
The Holocaust and the Henmaid's Tale: A Case for Comparing Atrocities Karen Davis No preview available - 2005 |