Eternal Treblinka: Our Treatment of Animals and the HolocaustThis book explores the similar attitudes and methods behind modern society's treatment of animals and the way humans have often treated each other, most notably during the Holocaust. The book's epigraph and title are from "The Letter Writer," a story by the Yiddish writer and Nobel Laureate Isaac Bashevis Singer: "In relation to them, all people are Nazis; for the animals it is an eternal Treblinka." The first part of the book (Chapter 1-2) describes the emergence of human beings as the master species and their domination over the rest of the inhabitants of the earth. The second part (Chapters 3-5) examines the industrialization of slaughter (of both animals and humans) that took place in modern times. The last part of the book (Chapters 6-8) profiles Jewish and German animal advocates on both sides of the Holocaust, including Isaac Bashevis Singer himself. The Foreword is by Lucy Rosen Kaplan, former attorney for People for the Ethical Treatment of Animals (PETA) and daughter of Holocaust survivors. Her foreword, the Preface and Afterword, excerpts from the book, chapter synopses, and an international list of supporters can be found on the book's website at: www.powerfulbook.com |
From inside the book
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... social arrangements were based . " 33 Jim Mason maintains that making intensive animal agriculture the foundation of our society has built ruthlessness , detachment , and socially acceptable violence and cru- elty into the very bone ...
... social critic Ian McHarg gave on the question of Western man's attitude toward the natural world , he said , " If you wanted to find one text which , if believed and employed literally , or simply accepted implicitly , without the ...
... social reality that existed at the time it was written . " As Milan Kundera observes , Genesis was written from man's point of view : The very beginning of Genesis tells us that God created man in order to give him dominion over fish ...
... social classes were by nature subordinate to others in a society in which each class had its divinely determined place . In medieval Christian art , writes John Weiss , " princes and priests were depicted at the apex of society followed ...
... social ladder at home were made of intrinsically inferior material ( flawed brains , poor genes , or whatever ) . Samuel George Morton ( 1799-1851 ) , a distin- quished Philadelphia physician and researcher in natural history , amassed ...
Contents
3 | |
27 | |
MASTER SPECIES MASTER RACE | 51 |
THE INDUSTRIALIZATION OF SLAUGHTER The Road to Auschwitz Through America | 53 |
IMPROVING THE HERD From Animal Breeding to Genocide | 81 |
WITHOUT THE HOMAGE OF A TEAR Killing Centers in America and Germany | 109 |
HOLOCAUST ECHOES | 137 |
WE WERE LIKE THAT TOO HolocaustConnected Animal Advocates | 139 |
THIS BOUNDLESS SLAUGHTERHOUSE The Compassionate Vision of Isaac Bashevis Singer | 169 |
THE OTHER SIDE OF THE HOLOCAUST German Voices for the Voiceless | 201 |
AFTERWORD | 231 |
NOTES | 233 |
BIBLIOGRAPHY | 271 |
ACKNOWLEDGMENTS | 281 |
INDEX | 283 |
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References to this book
A Violent God-Image: An Introduction to the Work of Eugen Drewermann Matthias Beier Limited preview - 2006 |
The Holocaust and the Henmaid's Tale: A Case for Comparing Atrocities Karen Davis No preview available - 2005 |