The Collected Works of William Hazlitt: Fugitive writings

PAGE

245. Perceive a fury,' etc. Cf. Othello, 1v. 2.

292. "Retire, the world shut out, etc. Young, Night Thoughts (1x.).

429. The Gods, the children of Homer. Lucien Buonaparte, Charlemagne. See vol xi. (Fugitive Writings), p. 232.

VOL. X.

187. Empurpling all the ground. Cf. Lycidas, 141.

208. Relegated to obscure cloisters, etc. Cf. Burke, Reflections on the Revolution in France (Select Works, ed. Payne, 11. 121).

260. Yet his infelicity,' etc.

Cf. Webster, The Duchess of Malfy, Act iv. Sc. 2. 314. The American Farmer's Letters. Letters from an American Farmer, by Hector St. John Crevecœur (1731-1813), published 1794.

378. Hold our hands,' etc.

Cf. Dryden, Alexander's Feast, 72.

VOL. XI.

277. I take her body,' etc. These lines are not Suckling's, but from a song by Congreve, beginning 'Tell me no more I am deceived.'

336. Loud as a trumpet,' etc. Dryden, Palamon and Arcite, 111. 85. 338. 'Like importunate Guinea fowls,' etc. Burke's Regicide Peace (ed. Payne,

P. 51).

427 (and p. 501). Hymns its good god,' etc.

1. X.

Cf. Thomson, The Castle of Indolence,

488. Each other's beams to share.' Collins, Ode, The Manners, 56.

Read The Beggar's Opera, Act 1. Sc. I.
For Huckman read Hackman.
Read The Spirit of the Age, vol. Iv., etc.
Read Here be woods.

The following printer's errors may be noted :-
Vol. 1. p. 436 (note to p. 142).
Vol. 11. p. 440 (note to p. 391).
Vol. v. p. 391 (note to p. 97).
Vol. v. p. 406 (note to p. 254).
Vol. v. p. 410 (note to p. 318).
belong to the note above.

Vol. vi. p. 519 (note to p. 435).
Vol. ix. p. 458 (note to p. 247).
Vol. 1x. p. 463 (note to p. 317).

The words 'The Countess

For 1870 read 1780.
Read Sir Martin Archer Shee.
For Mallard read Mallord.

...

in 1690'

INDEX

TO THE TITLES OF HAZLITT'S WRITINGS

ABSTRACT IDEAS, ON, X1. I.
Acted Drama in London, Essays on,
contributed to the London Maga-
zine, viii. 381.

Actors and Acting, On, i. 153, 156.
and the Public, xi. 348.

ought to sit in the Boxes?
Whether, vi. 272.

Adelaide, or the Emigrants, viii. 308.
All's Well that Ends Well, i. 329.
Alsop's Rosalind, Mrs., viii. 252.
American Literature, Dr. Channing,
x. 310.

Ancient and Modern Literature, On
the Spirit of-On the German
Drama, contrasted with that of the
Age of Elizabeth, v. 345.
Angerstein's Collection, Mr., ix. 7.
Anglade Family, The, viii. 279.
Antiquity, On, vii. 252.

Antony and Cleopatra, i. 228; viii.
190.

Apostates, On Modern, iii. 155.
Application to Study, On, vii. 55.
Arguing in a Circle, xii. 285.
Aristocracy of Letters, On the, vi.
205.

Art, Fragments on, ix. 489.

Artaxerxes, viii. 192.

Ballads, On the Old English, v. 123.
Ballets, Two New, viii. 353.
Bannister's Farewell, Mr., viii. 229.
Barbarossa, viii. 372.
Barry, James, ix. 413.
Beaumont, F., v. 295.

and Fletcher, Ben Jonson, Ford,
and Massinger, On, v. 248.
Beauty, On, i. 68.
Beggar's Opera, On the, i. 65; viii.
193, 254; xi. 373.

Belief, Whether Voluntary, xii. 439.
Bentham, Jeremy, iv. 189; xi. 411.
Bertram, viii. 304.
Bonaparte, iii. 52; iii. 350.

and Muller, iii. 154.
Bonaparte's Collection, etc., Lucien,
xi. 237.

Booth's Duke of Gloster, Mr., viii.
354; Iago, viii. 355; Richard, viii.

Arts are not Progressive? Why the, Brunton's Rosalind, Miss, xi. 396.

A Fragment, i. 160.

As You Like It, i. 338.

BACON'S WORKS, Character of Lord,
compared as to style with Sir
Thomas Browne and Jeremy Taylor,
v. 326.

Buncle, On John, i. 51.
Burdett, Sir F., iv. 319.

Burke, Character of Mr., iii. 252,

Cobbett, Mr., iv. 334; Character of,

vi. 50.
Coffee-House Politicians, On, vi. 189.
Coleridge, Mr., iv. 212; xi. 411;
Memorabilia of, xii. 346.
Coleridge's Christabel, x. 411; xi.
580; Lay-Sermon, iii. 152; x. 120;
Lectures, xi. 416; Literary Life, x.
135.

Collins, v. 104.

Comedy of Errors, The, i. 351.
Comic Writers of the Last Century,
On the, viii. 149.

Common-Place Critics, On, i. 136.
Common Places, xi. 541.

Sense, xii. 377.

Comus, viii. 230.

Congress, whether the Friends of Free-
dom can entertain any sanguine
Hopes of the favourable Results of
the ensuing, iii. 103.
Congreve, viii. 70.

Conquest of Taranto, The, viii. 366.
Consistency of Opinion, On, xi. 508.
Controversy, The Spirit of, xii. 381.
Conversation of Authors, On the, vii.
24, 35.

Conversations as Good as Real, xii.
363, 369.

Coriolanus, i. 214; viii. 347.
Corporate Bodies, vi. 264.

Country People, Character of the, xi.

299.

DANDY SCHOOL, The, xi. 343.
Daniel, v. 295.
Dansomanie, The, xi.
Deckar, v. 223.
D'Enghien, The Duke, xi. 577.
Defoe, Wilson's Life and Times of
Daniel, x. 355.

Depth and Superficiality, On, vii. 346.
Didone Abandonnata, viii. 196.
Disadvantages of Intellectual Superi-
ority, On the, vi. 279.
Disagreeable People, On, xii. 173.
Distant Objects Please, Why, vi. 255.
Distressed Mother, The, viii. 334.
Don Giovanni and Kean's Eustace
de St. Pierre, xi. 307.

Conduct of Life, On the; or, Advice | Don Juan, viii. 362.

to a Schoolboy, xii. 423.

Dottrel-Catching, iii. 51.

Double Gallant, viii. 359.
Dowton in the Hypocrite, xi. 395.
Dramatic Literature of the Age of
Elizabeth, Lectures on, v. 169.
Drayton, v. 295.
Dreams, On, vii. 17.

Dryden and Pope, On, v. 68.
Duke of Milan, The, viii. 289.
Dulwich Gallery, The, ix. 17.
Dunlop's History of Fiction, x. 5.

EDINBURGH REVIEW, Contributions
to the, x. 1.

Editors, A Chapter on, xii. 230.
Edwards's Richard III., Mr., viii. 247.
Effeminacy of Character, On, vi. 248.
Egotism, On, vii. 157.
Eldon, Lord, iv. 325.

Elgin Marbles, On the, ix. 326.
Elia, iv. 362.

Eloquence of the British Senate, iii.
387.

England in 1798, iii. 241.

Fletcher, P., v, 295.
Fonthill Abbey, ix. 348.
Footmen, xii. 131.
Ford, v. 248.

Four P's, The, v. 274-

Fox, Character of Mr., iii. 337-
France and Italy, Notes on a Jours
through, ix. 83.
Free Admission, The, xii. 119.

Thoughts on Public Affairs:
Advice to a Patriot, in a Lette
addressed to a Member of the C
Opposition, iii. 1.

French Plays, xi. 352, 356.
Fudge Family in Paris, The, 31

GAINSBOROUGH's Pictures, On, xi

202.

Gammer Gurton's Needle, v. 274
Genius and Common Sense, vi. 31,42
and Originality, On, xi. 213.
is Conscious of its Powers
Whether, vii. 117.

English Comic Writers, Lectures on, Geoffrey Crayon, iv. 362.

viii. I.

Grammar, xii. 342.

Novelists, On the, viii. 106.
Poets, Lectures on the, v. 1.
Students at Rome, ix. 367.
Envy, xii. 386; On, vii. 97.
Essay-Writing, A Farewell to, xii.

321.

Etherege, viii. 49.

George Barnwell, viii. 268.
German Drama, contrasted with that
of the Age of Elizabeth, On the, v.

345.

Gifford, Mr., iv. 298.

Esq., A Letter to William,

363.
Godwin, William, iv. 200; x. 385.
Going a Journey, On, vi. 181.

Every Man in His Humour, viii. 310. Good-Nature, On, i. 100.

Exit by Mistake, viii. 321.

FAIR PENITENT, THE, viii. 287.
Fame, On Different Sorts of, i. 93.
Familiar Style, On, vi. 242.
Farquhar, viii. 70.
Fashion, On, xi. 437.

Fear of Death, On the, vi. 321.

Fight, The, xii. 1.

Fine Arts, ix. 377.

British Institution, xi. 187.

The Louvre, xi. 195.

Good Old Times, Sketches of the
History of the, xi. 582.
Grammar of the English Torget,
Preface to a New and Improve
iv. 387.
Gray, v. 104.

Great and Little Things, On, vi. 225-
Grosvenor's Collection of Pictures.

Lord, ix. 49.

Gusto, On, i. 77.

Guy Faux, xi. 317, 323, 328.

Flaxman's Lectures on Sculpture, x. HAMLET, i. 232.

330.

Fletcher, v. 248.

Hampton Court, The Pictures at, ix

42.

VI., i. 292.

VIII., i. 303.

John Bull, Character of, i. 97.
du Bart, viii. 253.
Gilpin, xi. 305.

King, i. 306; xi. 410.
Jonson, Ben, v. 248; viii. 30.
Judging of Pictures, ix. 356.
Julius Cæsar, i. 195.

KEAN, CHARLES, xi. 362.

Mr., viii. 292; xi. 389, 410.
and Miss O'Neill, xi. 407.

Heroes of Romance are insipid, Why Kean's Bajazet and The Country

the, xii. 59.

Heywood, v. 192.

Hobbes, On the Writings of, xi. 25.
Hogarth's 'Marriage a-la-mode,'

Criticism on, ix. 75; On, i. 25, 28.
Hogarth, On the Works of, On the
grand and familiar style of painting,
viii. 133.

Holcroft, Memoirs of the late Thomas,
ii. 1.

Honeymoon, The, xi. 409.
Hot and Cold, vii. 169.

Human Action, An Essay on the
Principles of, vii. 383.

Humorous Lieutenant, The, viii. 353.
Hunt, Mr. Leigh, iv. 353.
Hunt's Rimini, Leigh, x. 407.
Hypocrite, The, viii. 245.

IDEAL, The, ix. 429;
xi. 223.
Ignorance of the Learned, On the, vi.
70.

Imitation, On, i. 72.

of Nature, On the, xi. 216.
Immortality in Youth, On the Feeling
of, xii. 150.

Indian Jugglers, The, vi. 77.
Iron Chest, The, viii. 342.

Irving, Rev. Mr., iv. 222; xii. 275.
Italian Opera, The, viii. 324.

JANE SHORE, viii. 352.

Girl,' Mr., xi. 274; Eustace de
St. Pierre, xi. 307; Hamlet,
viii. 185; Iago, i. 14; viii. 190,
211, 215, 559; Leon, viii. 233;
Macbeth, viii. 204, xi. 404; Sir
Giles Overreach, viii. 284, Othello,
viii. 189; xi. 405; Richard, viii.
180, 200; Richard II., viii. 221;
Richard III., xi. 399; Romeo, viii.
208; Shylock, viii. 179, 294; Zanga,
viii. 227.

Kemble's Cato, Mr., viii. 342; King
John, viii. 345; Sir Giles Overreach,
viii. 302; Penruddock, xi. 205;
Retirement, viii. 374.

King's Proxy, The, viii. 243.
Knowledge of Character, On the, vi.
303.

of the World, On, xii. 297, 301,

306.
LANDOR'S Imaginary Conversations,

X. 231.

Jealousy and the Spleen of Party, On Libertine, The, viii. 370.

Jealous Wife, The, viii. 316.

the, vii. 365.

Jeffrey, Mr., iv. 310.

Jews, Emancipation of the, xii. 461.

Liberty and Necessity, On, xi. 48.
Literary Character, On the, i. 131.
Living in London, viii. 242.

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