tries Ulysses wandered. Notwithstand ing the "Stoic's philosophic pride," these inquiries have still an interest to minds of the highest order-such is the homage which genius extorts from the remotest countries and from the latest ages. We noticed, in an article in our last Number, the curious fact of native youths in India performing parts of Shakspeare, and thus on the shores of the Ganges countless minds are deriving delight, perhaps improvement, from the careless and unlaboured verses of the light-hearted Warwickshire deer-stealer. So, in this country, and over all the continent of Europe, which, when the songs of Homer first gladdened the halls of the chieftains on the shores of the Ægean, were vast unknown deserts, unpeopled, or wandered over by a few rude hunters; which, to the Greeks, were regions of more than Cimmerian darkness, beyond the boundaries of the living world-men of the loftiest and most powerful understanding are examining, and discussing, and disputing the most minute points which may illustrate the poetry of the blind bard; scholars are elucidating, antiquaries illustrating, philosophers reasoning upon, men of genius transfusing into their native tongues, poets honouring with despairing emula tion, the whole mind of educated man feeling the transcendant power of the poet of the Iliad and Odyssey. Surely, the boasted triumph of poetry over space and time is no daring hyperbole-surely, it is little more than the boasted reality of truth. Power of Memory. Visit It is indeed not easy to calculate the height to which the memory may be cultivated. To take an ordinary case, we might refer to that of any first-rate actor, who must be prepared, at a very short warning, to rhapsodize" night after night, parts which, when laid to gether, would amount to an immense number of lines. But all this is nothing to two instances of our own day. ing at Naples a gentleman of the highest intellectual attainments, and who held a distinguished rank among the men of letters in the last century, he informed us that the day before he had passed much time in examining a man, not highly educated, who had learned to re peat the whole Gierusalemme Liberata of Tasso; not only to recite it consecutively, but to repeat any given stanza of any given book; to repeat those stanzas in utter defiance of the sense, either for wards or backwards, or from the eighth line to the first, alternately the odd and even lines in short, whatever the pas sage required, the memory, which seemed to cling to the words much more than to the sense, had it at such perfect command, that it could produce it under any form. Our informant went on to state, that this singular being was proceeding to learn the Orlando Furioso in the same manner. But even this instance is less wonderful than one as to which we may appeal to any of our readers that happened some twenty years ago to visit the town of Stirling, in Scotland. No such person can have forgotten that poor, uneducated man, Blind Jamie, who could actually repeat, after a few minutes' consideration, any verse required from any part of the Bible--even the obscurest and least important enumeration of mere proper names not excepted. Origin of the Homeric Poems. It is said that the art of writing, and the use of manageable writing materials, were entirely, or all but entirely, unknown in Greece and the islands at the supposed date of the composition of the Iliad; and that if so, this poem could not have been committed to writing during the time of such its composition; that in a question of comparative probabilities like this, it is a much grosser improbability that even the single Iliad, amounting, after all curtailments and expungings, to upwards of 15,000 lines, should have been actually conceived and perfected in the brain of one man, with no other help but his own or others' memory, than that it should, in fact, be the result of the labours of several distinct authors; that if the Odyssey be counted, the improbability is doubled; that if we add, upon the authority of Thucydides and Aristotle, the Hymns and Margites, not to say the Batrachomuiomachia, that which was improbable becomes absolutely impossible; that all that has been so often said as to the fact of as many lines, or more, having been committed to memory, is beside the point in question, which is not whether 15,000 or 30,000 lines may be learnt by art from a book or maunscript, but whether one man can compose a poem of that length, which, rightly or not, shall be thought to be a perfect model of symmetry or consistency of parts, without the aid of writing materials; that, admitting the superior probability of such a thing in a primitive age, we know nothing analogous to such a case; and that it so transcends the common limits of intellectual power, as, at the least, to merit, with as much justice as the opposite opinion, the character of improbability.-H. N. Coleridge. LIBERALISM AND MUSIC. It seems that the day is come again when musical airs are ranked in political importance with proclamations, manifestoes, &c. Everybody knows the story of the Swiss hired troops, the Ranz des Vaches, and the prohibition of this tune in France. A Polish air, the Dombrowski Mazourka, which the regiment of General Szembek played on entering Warsaw, has been forbidden by the Grand Duke Constantine, on pain of a penalty of 400 florins; the consequence of which is, that it has become the outward and audible sign of patriotism in every part of Poland; just as the Marseilles March and la Parisienne are in France and the Netherlands the signals of liberalism. During Mr. Pitt's administration an organ grinder was committed to Newgate for playing "Ah! ça ira" in the streets. This was a silly step; but the fellow excited little commiseration, for the tune was the warwhoop of a few savages who were at that time deluging France with blood. It affords another proof, however, of the power ascribed by statesmen to instrumental music, uninterpreted by words in exciting ideas and producing associations.--Harmonicon, Feb. 1. TURKISH MUSICAL GUSTO. A MODERN traveller informs us, that the band of an English ambassador at Constantinople once performed a concert for the entertainment of the Sultan and his court. At the conclusion it was asked, which of the pieces he preferred. He replied, the first, which was accordingly recommenced, but stopped, as not being the right one. Others were tried with as little success, until at length the band, almost in despair of discovering the favourite air, began tuning their instruments, when his highness instantly exclaimed, "Inshallah, heaven be praised, that is it!" The Turkish prince may be excused, when it is known that at the commemoration of Handel in 1784, Dr. Burney thought the mere tuning of that host of instruments more gratifying than the ordinary performances to which he had been accustomed. -Ibid RODE, THE VIOLINIST. IN 1814, he was resident at Berlin, where he gave a concert for the benefit of the poor, and on quitting that capital, returned to his native city, not again to quit it, except for one ill-starred visit to Paris in 1818. This visit threw a fatal colouring over all the rest of Rode's days, and probably contributed to shorten: his life. For several years he had played only in a small circle of admiring friends, who persuaded him (nothing loth to believe) that his talents were still unabated. The habit of hearing no one but himself had extinguished emulation, and deprived him of all means of comparison.. Rode suddenly determined to re-appear in the musical world, and on his arrival in Paris sought for opportunities of playing in private parties, with as much eagerness as though he had still been a young man with a reputation to make. His old admirers were at first delighted to greet him; but they soon saw with unfeigned regret that he was. compromising a great and well-earned name. His tone, once so pure and beautiful, had become uncertain; his bow was as timid as his fingers, and he no longer dared to indulge fearlessly the suggestions of his imagination; in short it was too apparent that, in spite of his delusion, Rode's former confidence in himself was gone; and we know the importance of that feeling of self-reli ance which men of talent derive from the innate consciousness of their own superiority: once destroyed, everything else vanishes with it. He was applauded; respect for the last efforts of what had once been first-rate talent secured him that meed; but he was applauded because his audience considered it a kind of duty, and without any symptoms of enthusiasm. He felt the distinction; a dreadful light broke in upon him, and for the first time he became conscious that he was no longer himself. The blow was the more severe as it was unlooked for: he left Paris overwhelmed with grief; the check he had received preyed incessantly on his mind and injured his health. A paralytic stroke the use of one side and affected his intoward the end of 1829 deprived him of tellect, in which state he languished for nearly twelve months, till on the 25th of November, 1830, death relieved him from his sufferings.- From a Memoir of Rode in the Harmonicon. PROGRESS OF SCIENCE. IT may be considered as sufficiently proved, that the sciences had not acquired any degree of improvement until the eighth century before the Christian era; notwithstanding great nations had been formed in several parts of the earth some centuries earlier. Fifteen hundred years before Christ there were already four-the Indians, the Chinese, the Ba bylonians, and the Egyptians.-Cuvier,› Select Biography. THOMAS HOPE, ESQ. (For the Mirror.) WE regret to record the death of this distinguished scholar and munificent patron of literature and the fine arts. For some weeks past we have been awaiting the publication of his last work, entitled, "An Essay on the Origin and Prospects of Man;" and after looking with this expectation in the Times of Friday, the 4th, we there read the information of Mr. Hope's death, on the 2nd instant, at his house in Duchess-street. Mr. Hope was a nephew of the opulent Amsterdam merchant of the same name. We are not aware of his precise age, but should judge it must have verged on sixty. In early life he travelled much, especially in the East; and few Englishmen have acquired better knowledge of the manners and customs of that division of the world than had the subject of this memoir. His visits to the European continent are of much more recent date. In its various academies of fine art his name will long be cherished with grateful remembrance, since few men distributed their patronage with so much munificence and judgment. Possessing an ample fortune and exquisite taste, Mr. Hope judiciously applied his knowledge of the fine arts to the internal decoration of houses: thus producing, in numberless instances, the rare combination of splendour and convenience. On this subject, Mr. Hope published, in 1805, an illustrative folio work, entitled "Household Furniture and Internal Decorations." He also published two very superb works on costume, entitled, "The Costumes of the Ancients," two vols. 8vo. 1809; and "Designs of Modern Costume," folio, 1812 in which he displayed high classical attainments and love of the picturesque. Mr. Hope, however, subsequently appeared before the literary world in a work which at once places him in the highest list of eloquent writers and superior men--viz. Anastasius; or, the Memoirs of a Modern Greek: published in the year 1819. There are, indeed, few books in the English language which contain passages of greater power, feeling, and eloquence than this work, which delineate frailty and vice with more energy and acuteness, or describe historical scenes with such bold imagery and such glowing language. We remember the opinion of a writer in the Edinburgh Review, soon after the publication of Anastasius. With a degree of pleasantry and acumen peculiar to northern criticism, he asks, "Where has Mr. Hope hidden all his eloquence and poetry up to this hour? How is it that he has, all of a sudden, burst out into descriptions which would not disgrace the pen of Tacitus, and displayed a depth of feeling and vigour of imagination which Lord Byron could not excel? We do not shrink from one syllable of this eulogy." The subjects upon which Mr. Hope had previously written were not calculated to call forth his eloquent feeling; and, such excellence was not expected from him, who, to use the harmless satire of the Edinburgh reviewer, "meditated muffineers and planned pokers." This was no praise of party: contemporary criticism universally allowed Anastasius to be a work in which great and extraordinary talent is evinced. It abounds in sublime passages-in sensein knowledge of history, and in knowledge of human character;-and the rapid sale of three editions has proved these superior characteristics to have been amply recognised by the reading public. The work in its fourth edition still enjoys a good sale. In each reprint the nicety of the writer is traceable: the corrections and alterations in the meta physical portions on such passages as illustrate points of character, are elaborated with exquisite skill, and fresh turns of scholarly elegance are observable throughout each volume of the work. Memory has probably in some instances enabled the author to re-touch his pictures of Eastern scenery, and rearrange his grouping of particular incidents. What a delightful labour of leisure must this have been for so ingenious a mind! One of his similes--a weeping lady's eyes compared to violets steeped in dew-has never been out of our recollection; and one of his battle scenes almost makes the reader imagine himself transfixed to the spot by a weapon of the contest. Mr. Hope married, in 1806, the Hon. Louisa Beresford, daughter of the late Lord Decies, Archbishop of Tuam, and sister of the present peer, by whom he has left three sons, the eldest of whom, Mr. Henry Hope, was groom of the bedchamber to the late king, and recently took his seat in parliament for the borough of West Looe. Of their highlygifted and accomplished mother we know many amiable traits; and, however bright may have been her fashionable splendour in high life, it is more than counterbalanced by her active benevolence in the country, in visiting the homes and relieving the distresses of the poor of the neighbourhood. Of Mr. Hope's literary acquirements and his patronage of the liberal arts we have already spoken. It is, however, grateful to be enabled to refer to special acts of such patronage. It should not, therefore, be forgotten, that to the liberality of Mr. Hope, Thorwalsden, the celebrated Danish sculptor, is chiefly indebted for a fostering introduction to the world: we have seen at the liberal patron's seat, Deepdene, a stupendous boar of spotless marble, for which the sculptor received a commission of one thousand guineas. Mr. Hope, too, was one of the earliest of the patrons of Mr. George Dawe, R.A. In a memoir of this fortunate and distinguished painter we find that "Andromache soliciting the Life of her Son," from a scene in the French play entitled "Andromache," was purchased by Mr. Hope, "who, in the most liberal manner, marked his approbation of Dawe's talents by favouring him with several commissions for family portraits, especially a half-length of Mrs. Hope, with two of her children, and two whole-lengths of the lady singly." To the useful as well as elegant arts Mr. Hope's encouragement was extended; and for the last ten years he has filled the office of one of the Vice-presidents of the Society of Arts and Sciences in the Adelphi. Mr. Hope usually passed "the season" at his superb mansion in Duchess street, Portland-place, where he had assembled a valuable collection of works of art, altogether unrivalled, and comprising paintings, antique statues, busts, vases, and other relics of antiquity, arranged in apartments, the furniture and decorations of which were in general designed after classic models, by the ingenious possessor himself. Among the sculpture is the exquisite Venus rising from the Bath, by Canova. The whole of these valuables were open to the public, under certain restrictions, during "the season." Mr. Hope likewise possessed one of the most delightful estates in the county of Surrey-viz. the Deepdene, near Dorking, to which he an nexed Chart Park, purchased from the devisees of the late Sir Charles Talbot, Bart. On the last-mentioned estate is a spacious mausoleum, erected by Mr. Hope about thirteen years since, and capable of containing upwards of twenty bodies. Two of his sons, who died in their youth, are buried here. In the retirement of the Deepdene, Mr. Hope passed much time in embel lishing the mansion, and improving the gardens, grounds, &c. "Here," observes the author of the Promenade round Dorking, "I was much gratified with landscape gardening, the quiet of echoing dells, and the refreshing coolness of caverns-all which combined to render this spot a kind of fairy region. Flower-gardens laid out in parterres, with much taste, here mingle trim neatness with rude uncultivated nature, in walks winding through plantations and woods, with ruined grottoes and hermitages, well adapted, by their solitary situations, for study and reverie." Adjoining the mansion, Mr. Hope likewise constructed a classical sculpture gallery, which he enriched with several antiques from his town residence. Notwithstanding all these additions, we are bound to confess, that, compared with the beauty of the situation, they were but unsuccessful efforts of art to embellish bountiful Nature. The conveniences of the Deepdene are upon a scale of magnificence similar to that of the mansion in Duchess-street. Their present Majesties, before their accession, were occasional visiters at the Deepdene; and upon the formation of the Queen's Household, Mrs. Hope was appointed a Lady of the Bedchamber. Few men, even in the philanthropic neighbourhood of Dorking, were more beloved than the late Mr. Hope. His patronage by money and otherwise, was never vainly sought for a good object; and with this high merit we close our humble tribute to his public and private excellence. PHILO. SPIRIT OF THE Public Journals. BACCHANALIAN SONG. (From the Noctes" of Blackwood.) NORTH.-The air, you know, is my I shall sing it to-night own, James. to some beautiful words by my friend Robert Folkestone Williams, written, he tells me, expressly for the Noctes. OH! fill the wine-cup high, The sparkling liquor pour; From off the wine departs, Though bright may be the beams For though surpassing bright Their brilliancy may be, Age dims the lustre of their light, But adds more worth to thee. Give me another draught, The sparkling, and the strong; He who would learn the poet craft- With warm and generous wine; 'Twas wine that warm'd Anacreon's soul, And made his songs divine. And e'en in tragedy, Who lives that never knew The honey of the Attie Bee Was gather'd from thy dew? He of the tragic muse, Whose praises bards rehearse : What power but thine could e'er diffuse- Oh! would that I could raise The magic of that tongue; The spirit of those deathless lays, Sounds sweet as if a voice from heaven The rich draught of the purple vine In the glory of their golden age, Joy to the lone heart-joy To the desolate-oppress'd For wine can every grief destroy The sorrows, and the care, That in our hearts abide, Twill chase them from their dwellings there, And now the heart grows warm, Flings out its brightest rays, We think of her, the young The beautiful, the bright; We hear the music of her tongue, We see again each glance, Each bright and dazzling beam, We feel our throbbing hearts still dance, From darkness, and from woe, A power like lightning darts; That shows the friend of other years But sorrow, grief, and care, Had dimm'd his setting star; And we think with tears of those that were, Yet though the grassy mound We'll pledge, in solemn silence round, The sparkling juice now pour, Hurra! with three times three And shout aloud, with deafening cheers, The "ISLAND OF THE FREE." Then fill the wine-cup high, The sparkling liquor pour; For we will care and grief defy, They ne'er shall plague us more. And ere the snowy foam From off the wine departs. The precious draught shall find a homeA dwelling in our hearts. THE SNOW-WHITE VIRGIN. (From a Winter Rhapsody. By Christopher North. Fytte III.) THERE is a charm in the sudden and total disappearance even of the grassy green. All the "old familiar faces" of nature are for awhile out of sight, and out of mind. That white silence shed by heaven over earth carries with it, far and wide, the pure peace of another region-almost another life. No image is there to tell of this restless and noisy world. The cheerfulness of reality kindles up our reverie ere it becomes a dream; and we are glad to feel our whole being complexioned by the pas sionless repose. If we think at all of human life, it is only of the young, the fair, and the innocent. "Pure as snow' are words then felt to be most holy, as the image of some beautiful and beloved being comes and goes before our eyesbrought from a far distance in this our living world, or from a distance-far, far, farther still-in the world beyond the grave-the image of a virgin growing up sinlessly to womanhood among her parents' prayers, or of some spiritual creature who expired long ago, and carried with her her native innocence unstained to heaven. Such Spiritual Creature-too spiritual long to sojourn below the skies-wert Thou, whose rising and whose settingboth most starlike-brightened at once all thy native vale, and at once left it in darkness. Thy name has long slept in our heart-and there let it sleep unbreathed-even as, when we are dreaming our way through some solitary place, without speaking, we bless the beauty of some sweet wild-flower, pensively smiling to us through the snow! The Sabbath returns on which, in the little kirk among the hills, we saw thee baptized. Then comes a wavering glimmer of seven sweet years, that to Thee, in all their varieties, were but as one delightful season, one blessed life—and, finally, that other Sabbath, on which, at thy own dying request-between services thou wert buried! How mysterious are all thy ways and workings, O gracious Nature! Thou |
