The Orator's Manual: A Practical and Philosophical Treatise on Vocal Culture, Emphasis and Gesture, Together with Selections for Declamation and Reading ... |
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Page 57
... death which startles us with mystery , the hàrd- ship which forces us to struggle , the anxiety that ends in trùst , — are the true nourishments of our natural being . ( See § 215. ) Circumflex or Wave , ending with Falling Inflection ...
... death which startles us with mystery , the hàrd- ship which forces us to struggle , the anxiety that ends in trùst , — are the true nourishments of our natural being . ( See § 215. ) Circumflex or Wave , ending with Falling Inflection ...
Page 68
... death ! Take her up tenderly , Lift her with care ; Fashioned so slenderly , Young , and so fair ! " It's time for me to go to that there bèrryin ' - ground , sír , " he returns , with a wild look . " Lie down , and tell me . " Where ...
... death ! Take her up tenderly , Lift her with care ; Fashioned so slenderly , Young , and so fair ! " It's time for me to go to that there bèrryin ' - ground , sír , " he returns , with a wild look . " Lie down , and tell me . " Where ...
Page 72
... death of each day's life , sore lâbour's bath , Balm of hurt minds , great Nature's sècond course , Chief nourisher in Life's feast . " Still it cried , " Sleep no more ! " to all the house . §§ 219 , 220 , 226 , contain examples of ...
... death of each day's life , sore lâbour's bath , Balm of hurt minds , great Nature's sècond course , Chief nourisher in Life's feast . " Still it cried , " Sleep no more ! " to all the house . §§ 219 , 220 , 226 , contain examples of ...
Page 80
... death , converting the very grave , the refuge of the sufferer , into the gate of infamy and of shame ? See , also , § 92 : c ; §§ 95 , 108 , 112 , 218 , 219 , 222–225 . a . This stress corresponds to the swell in music , and character ...
... death , converting the very grave , the refuge of the sufferer , into the gate of infamy and of shame ? See , also , § 92 : c ; §§ 95 , 108 , 112 , 218 , 219 , 222–225 . a . This stress corresponds to the swell in music , and character ...
Page 83
... death ! where is thy sting ? High orotund , explosive sustained force . 2 . Idem . Cheer answer chéer , and bear the cheer about . Hurrah , hurrah , for the fiery fort is ours ! " Victory , victory , victory ! " 3. Forward , through ...
... death ! where is thy sting ? High orotund , explosive sustained force . 2 . Idem . Cheer answer chéer , and bear the cheer about . Hurrah , hurrah , for the fiery fort is ours ! " Victory , victory , victory ! " 3. Forward , through ...
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Common terms and phrases
abdomen abrupt arms Aspirate audience blood blót brave breast breath Cæsar circumflex clause close conditional mood crimson glory downward e. g. Daily elbow emphasis emphatic England express expulsive falling inflection feel Finger gesture fingers forward Ft on waist gentlemen George Croly gesture give grave Greece guttural hand heart heaven honor idem idem idem imperative mood Ireland liberty lift light lips Lochinvar Lord loud median stress medium pitch melody move movement nation Netherby never o'er orotund passages pauses position principle prone pure rising inflection Roman Rome Rússia Semitonic sentence sentiment side slide slow soft sound Spartacus syllables tell Terminal Stress thee thou thought tion tone tr R C unemphatic utterance Virgínia voice vowel W tr wave words wrist