Reading by Starlight: Postmodern Science FictionReading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre. Damien Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive `encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers. Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney. |
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Page xiv
... objects of scrutiny - traditional formal methods of exposition and argument ought not to remain protected by a hermetic ( that is , a high - priestly ) seal . Indeed , once the central critiques of poststructuralism have been taken into ...
... objects of scrutiny - traditional formal methods of exposition and argument ought not to remain protected by a hermetic ( that is , a high - priestly ) seal . Indeed , once the central critiques of poststructuralism have been taken into ...
Page 3
... objects . The blue room was round and warm and smooth . No way to say warm in French . There was only hot and tepid . If there's no word for it , how do you think about it ? ( Samuel R. Delany ) 2 Sf ? Already we are in trouble ...
... objects . The blue room was round and warm and smooth . No way to say warm in French . There was only hot and tepid . If there's no word for it , how do you think about it ? ( Samuel R. Delany ) 2 Sf ? Already we are in trouble ...
Page 7
... objects of the Poet's art as any upon which it can be employed , if the time should ever come when these things shall be familiar to us ... as enjoying and suffering beings.'18 In short : nothing human is alien to the poet , and if the ...
... objects of the Poet's art as any upon which it can be employed , if the time should ever come when these things shall be familiar to us ... as enjoying and suffering beings.'18 In short : nothing human is alien to the poet , and if the ...
Page 15
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Page 34
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Contents
3 | |
GENERIC ENGINEERING | 21 |
GENRE OR MODE? | 38 |
THE USES OF OTHERNESS | 49 |
READING THE EPISTEME | 64 |
DREAMS OF REASON AND UNREASON | 75 |
THE STARS MY DISSERTATION | 89 |
MAKING UP WORLDS | 103 |
SF AS A MODULAR CALCULUS | 128 |
THE MULTIPLICITY OF WORLDS OF OTHERS | 137 |
THE AUTUMNAL CITY | 153 |
Notes | 159 |
Bibliography | 180 |
xi | 193 |
74 | 195 |
ALLOGRAPHY AND ALLEGORY | 117 |
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Common terms and phrases
Aldiss alien allegory attempts attention become called Chapter character cited close codes cognitive common constituted constructed course critical culture death definition Delany Delany's detail developed discourse discussion dream early effect episteme especially example experience fantasy figure force future genre given human ibid icons images imagination important interesting Intersection invention Jameson John kind language late later least less limits linguistic literary literature Lobey Marxism means mega-text metaphor mode move myth narrative never notes novel object offers once perhaps play position possible postmodern precisely question reader reading reality recent reference relation remains science fiction scientific seems semiotic sense sf's signifiers social space specific Stars story Strange structure tell textual theory things thinking tropes true turn universe volume writing