| David Deutsch - Literary Criticism - 2015 - 390 pages
British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and ... | |
| Brent Hayes Edwards - History - 2017 - 333 pages
Hearing across media is the source of innovation in a uniquely African American sphere of art-making and performance, Brent Hayes Edwards writes. He explores this fertile ... | |
| Michael Gallope - Literary Criticism - 2017 - 348 pages
We often say that music is ineffable, that it does not refer to anything outside of itself. But if music, in all its sensuous flux, does not mean anything in particular, might ... | |
| Fred Moten - Social Science - 2017 - 360 pages
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for ... | |
| Stephen Davies - Philosophy - 2001 - 390 pages
What are musical works? Are they discovered or created? Of what elements are they comprised? How are they specified by notations? What makes a performance of one piece and not ... | |
| Deborah Jowitt - Art - 1997 - 252 pages
Bringing together writings by Monk, herself, along with significant reviews, essays, interviews, and photographs of Monk's unique performance events, the book establishes her ... | |
| William Duckworth, Richard Fleming - Art - 2009 - 236 pages
This book is a collection of essays and original material that introduces the avant-garde artist-collaborators, La Monte Young and Marian Zazeela to those unfamiliar with their ... | |
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