Reading by Starlight: Postmodern Science FictionReading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre. Damien Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive `encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers. Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney. |
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Page xiii
... writing ) which must be learned by apprenticeship . This necessity , of course , merely intensifies the sceptic's bewilderment at the trouble taken by those who learn it in the first place . No doubt this is true to some extent of all ...
... writing ) which must be learned by apprenticeship . This necessity , of course , merely intensifies the sceptic's bewilderment at the trouble taken by those who learn it in the first place . No doubt this is true to some extent of all ...
Page xvi
... writing and thinking , Grosz speculates , ' may be capable of sustaining several types of discourse , many perspectives and interests ( even contradictory ones ) . No one form dominates the others ' ( ibid . ) . These are large claims ...
... writing and thinking , Grosz speculates , ' may be capable of sustaining several types of discourse , many perspectives and interests ( even contradictory ones ) . No one form dominates the others ' ( ibid . ) . These are large claims ...
Page xvii
... writing and reading sf , and constitutes an essay in ' writing the other ' ( which I dub ' allography ' ) . The second is Stars in My Pocket Like Grains of Sand , from 1984 , an extravagantly rich and impeccably theorised postmodern sf ...
... writing and reading sf , and constitutes an essay in ' writing the other ' ( which I dub ' allography ' ) . The second is Stars in My Pocket Like Grains of Sand , from 1984 , an extravagantly rich and impeccably theorised postmodern sf ...
Page 4
... writing that is better dubbed ' postmodern ' , this time in both senses of the word . Taken together , these comprise the corpus of commercial , usually American , post - World War II sf writing readily available in English.6 THE ...
... writing that is better dubbed ' postmodern ' , this time in both senses of the word . Taken together , these comprise the corpus of commercial , usually American , post - World War II sf writing readily available in English.6 THE ...
Page 8
... writer and poet Thomas M. Disch advanced this insight as his key to accounting for ' most of what was radically wrong ... writing in being shaped by the ( presumed ) demands of its audience rather than by the creative will of its writers ...
... writer and poet Thomas M. Disch advanced this insight as his key to accounting for ' most of what was radically wrong ... writing in being shaped by the ( presumed ) demands of its audience rather than by the creative will of its writers ...
Contents
3 | |
GENERIC ENGINEERING | 21 |
GENRE OR MODE? | 38 |
THE USES OF OTHERNESS | 49 |
READING THE EPISTEME | 64 |
DREAMS OF REASON AND UNREASON | 75 |
THE STARS MY DISSERTATION | 89 |
MAKING UP WORLDS | 103 |
SF AS A MODULAR CALCULUS | 128 |
THE MULTIPLICITY OF WORLDS OF OTHERS | 137 |
THE AUTUMNAL CITY | 153 |
Notes | 159 |
Bibliography | 180 |
xi | 193 |
74 | 195 |
ALLOGRAPHY AND ALLEGORY | 117 |
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Common terms and phrases
Aldiss alien allegory attempts attention become called Chapter character cited close codes cognitive common constituted constructed course critical culture death definition Delany Delany's detail developed discourse discussion dream early effect episteme especially example experience fantasy figure force future genre given human ibid icons images imagination important interesting Intersection invention Jameson John kind language late later least less limits linguistic literary literature Lobey Marxism means mega-text metaphor mode move myth narrative never notes novel object offers once perhaps play position possible postmodern precisely question reader reading reality recent reference relation remains science fiction scientific seems semiotic sense sf's signifiers social space specific Stars story Strange structure tell textual theory things thinking tropes true turn universe volume writing