 | John Ruskin - English literature - 1894 - 476 pages
...narrative, and adopting every ornament that will warm the imagination.*) To desire to see the excellencies of each style united — to mingle the Dutch with...together, and which destroy the efficacy of each other." § 5. We find, first, from this interesting passage, that the writer considers the Dutch and Italian... | |
 | John Ruskin - Aesthetics - 1894 - 424 pages
...the imagination. *) To desire to see the excellencies of each style united — to mingle the Duich with the Italian school, is to join contrarieties,...together, and which destroy the efficacy of each other." § .">. We find, first, from this interesting passage, that the writer considers the Dutch and Italian... | |
 | John Ruskin - 1904 - 640 pages
...narrative, and adopting every ornament that will warm the imagination.*) To desire to see the excellences of each style united — to mingle the Dutch with...together, and which destroy the efficacy of each other." ' § 5. We find, first, from this interesting passage, that the writer considers the Dutch and Italian... | |
 | John Ruskin - 1904 - 628 pages
...narrative, and adopting every ornament that will warm the imagination.*) To desire to see the excellences of each style united — to mingle the Dutch with...subsist together, and which destroy the efficacy of each other."1 § 5. We find, first, from this interesting passage, that the writer considers the Dutch and... | |
 | John Henry Fowler - English essays - 1908 - 156 pages
...narration, and adopting every ornament that will warm the imagination. To desire to see the excellencies of each style united, to mingle the Dutch with the...other. The Italian attends only to the invariable, the to give place to a beauty of a superior kind, since one cannot be obtained but by departing from the... | |
 | John Ruskin - English essays - 1908 - 372 pages
...narrative, and adopting every ornament that will warm the imagination.) 1 To desire to see the excellences of each style united — to mingle the Dutch with...together, and which destroy the efficacy of each other." We find, first, from this interesting passage, that the writer considers the Dutch and Italian masters... | |
 | Raymond Macdonald Alden - English prose literature - 1911 - 754 pages
...letter on the different practice of the Italian and Dutch painters, I observed that "the Italian painter attends only to the invariable, the great and general...which are fixed and inherent in universal nature." I was led into the subject of this letter by endeavoring to fix the original cause of this conduct... | |
 | Raymond Macdonald Alden - English prose literature - 1911 - 744 pages
...on the different practice of the Italian and Dutch painters, I observed that ''the Italian painter attends only to the invariable, the great and general...which are fixed and inherent in universal nature." I was led into the subject of this letter by endeavoring to fix the original cause of this conduct... | |
 | Raymond Macdonald Alden - English prose literature - 1911 - 752 pages
...letter on the different practice of the Italian and Dutch painters, I observed that "the Italian painter attends only to the invariable, the great and general...which are fixed and inherent in universal nature." I was led into the subject of this letter by endeavoring to fix the original cause of this conduct... | |
 | George Morey Miller - Literary Criticism - 1913 - 176 pages
...Painting (79) and on the True Idea of Beauty (82) contain two principles of importance, the exaltation of "the great and general ideas which are fixed and inherent in universal ^ nature"6 (only Johnson's generalized nature), and an attack Utoswell's Life, I. 179. 1 Life, I. 62.... | |
| |
I was led into the subject of this letter by endeavouring to fix the original cause of this conduct of the Italian masters. If it can be proved that by this choice they selected the most beautiful part of the creation, it will... 
