 O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's...  The Dramatic Works - Page 426by William Shakespeare - 1831Full view - About this book
 | William Shakespeare, John William Stanhope Hows - Readers - 1864 - 498 pages
...welcome to Elsinore. Ros. Good my lord. [Exeunt ROSENCRANTZ and GUILDENSTEKII. Ham. Ay, so, heaven be wi' you : — Now I am alone. O, what a rogue and...force his soul so to his own conceit, That from her working all his visage wann'd ; Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Thomas Carlyle - Chartism - 1864 - 352 pages
...royal monologue is that, which ends the second act ! How charming it will be to speak it ! " 0 what a rogue and peasant slave am I ! Is it not monstrous...force his soul so to his own conceit, That from her working all his visage wann'd ; Tears iu his eyes, distraction in his aspect, A broken voice, and his... | |
 | William Shakespeare - 1864 - 868 pages
...— [Exeunt RosEsrcBANTZ and GUILDKNSTKRN. Now I am alono. О, what a rogue and peasant slave am 1 1 o the monster to stint his riofht. ь I ha« no long...; — Amen !" I will pour some in thy other mouth working, all his visage wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and... | |
 | esq Henry Jenkins - 1864 - 800 pages
...but mad north-north-west ; when the wind is southerly, I know a hawk from a handsaw. — Id. Samlet. Is it not monstrous that this player here, But in...force his soul so to his own conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his... | |
 | Murray Cox - Performing Arts - 1992 - 312 pages
...the exchanges with Rosencrantz and Gildenstern were quite potent there. This speech was amazing too: 'O what a rogue and peasant slave am I! Is it not...force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Lars Engle - Drama - 1993 - 284 pages
...incapacity to force his soul to his conceit. This particular case deserves more detailed discussion. O what a rogue and peasant slave am I! Is it not monstrous...force his soul so to his own conceit That from her working all his visage wann'd. Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Meredith Anne Skura - Drama - 1993 - 348 pages
...legitimate. Hamlet, even while being affected by the performance, condemns the player's perverse achievement: Is it not monstrous that this player here, But in...force his soul so to his own conceit That from her working all his visage wann'd; Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Richard Courtney - Drama - 1995 - 274 pages
...and the tragedy is back on course. "Now I am alone," says Hamlet. It is a long time since he was so. O, what a rogue and peasant slave am I! Is it not...force his soul so to his own conceit That from her working all his visage wanned ... (546-551) "This player here": Burbage gestures to where he has performed.... | |
 | William Shakespeare - Poetry - 1995 - 136 pages
...own self be true, And it must follow as the night the day Thou canst not then be false to any man. 19 O, what a rogue and peasant slave am I! Is it not...force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Herbert R. Coursen - Performing Arts - 1995 - 314 pages
...conscious and unconscious mind. (19) Mazer quotes Hamlet's response to the Player's Hecuba Speech: Is it not monstrous that this player here, But in...force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
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